juggling.tv
the online depository for juggling videos
I'm 17 today!! Marvelous..wooo. damn toaster; every time.
05:24
3603
3
07-06-2009
[8]
'Is it some sort of gay leather circus from Finland' -A. Berry/nTOM OF CIRCUS
‘refuge and liberation in art!’
In our work we have no statements to make as we already know how the world lies. We are thinking only about the image itself, hidden, but then destroyed. ‘Tom Of Circus’ is not conversation piece, it is masturbation piece that produces a strong respect for our witty creation./nOhjaus: Rauli Katajavuori
Valosuunnittelu: Vespa Laine
Puvustus: Laura Sariola
Esiintyjät: Lauri Koskinen, Rauli Katajavuori, Matti Koskela, Teemu Riihelä/n‘Sirkus Supiaisen Tom of Circus -esitys on mitä kiinnostavinta nykysirkustaidetta. Se ei asetu valtavirtaisen nykysirkuksen pirtaan vaan pikemmin se kommentoi ja polemisoi joitakin nykysirkuksen ominaisia piirteitä ja asetelmia. Samalla esitys viihdyttää, hauskuuttaa ja ihastuttaa.’ -Kaisa Kurikka, Turun Sanomat 8.3.2018
01:08
2152
0
06-03-2019
[2]
A video of a performance I did for the Sydney University Engineering Revue. Be warned, this video does feature my naked bottom. It is however, quite hilarious, so that makes it OK!
02:51
7599
0
25-04-2010
[3]
Jessie Rose's new hula hoop, filmed and edited by Kent Hugo, music by Sounds Wilde, Make up and hair by Pretty Me Vintage, costume by Jessie Rose
02:36
3692
1
22-11-2013
[6]
Juggler: Bence Valkó
Video & edit: Réka Bosznay /nThe whole project started as a lifestyle video in autumn, thanks to the last warm, sunny days. On a mild winter day we decided to continue and keep the recordings to make a one year long project season by season.
The recordings were take accidentally: we didn't have a script etc. Nevertheless I like how the result of one year of practicing is so visible.
03:31
1550
0
23-09-2016
[1]
trailer of out of the box. An act suitable for stage, as street-theater and as an openingact. Using clubs to make sounds with a special big box. something to see and something to hear.
00:47
2790
0
21-02-2012
[1]
This is surprisingly effective when done well, it can really look like your leg has dissapeared! Unfortunately it's very angle sensetive, it only really works when viewed from the front.
Incase you can't work it out from the video, here's how you do it.
Hold the hat by the brim, with the opening resting against the top of your thigh, move it down until it covers your foot and hides it from view. As you raise the hat again, bend your leg at the knee. Et voila! Your leg has vanished!
Lower the hat again, straightening your leg as you do so. Ooh look! Your leg has re-appeared!
Top tips: Only raise the hat as far as your knee, and keep your foot hidden behind your thigh. A few minutes practice infront of a mirror and you'll soon get the hang of it.
Bonus points: Make both legs dissapear, at the same time...
00:07
1656
0
15-03-2015
[1]
Big Circles - Swing the hat round at arms length - and make it look good.
Hold the hat crown forward in an inside grip and swing it at arms length - twisting the wrist to keep the crown forward. At the top of the swing let go of the hat, untwist your wrist and recatch the hat in an inside grip, continue the swing and repeat as many times as you like.
00:07
1627
0
04-12-2015
[0]
Take a pinch grip at the front of the hat's crown and flick it up and forwards. Turn the hand round so the palm is facing forwards to catch the hat in another pinch grip at the back. After you've got a feel for this try doing it without looking at the hat.
Either place it straight back on the head or reverse the process to return it.
If you use a bowler hat make sure you take a really firm pinch to crease the top of the hat when removing it, otherwise you'll be left trying to catch the smooth round surface of the back of the hat.
Once you've mastered this one it's a trivial task to start by pinching the back of the hat and flicking it to a catch on the front.
00:06
1563
0
04-12-2015
[0]
At some point, your hat will end up on the floor and you'll want it back in your hand. You could just bend down and pick it up (boring!), use a normal foot to head (less boring, but relatively easy) or you could use this little move... (Far more studly way to kick a hat :-)
Place the hat on the floor, to your left, crown downwards and the opening tilting slightly towards you.
Point your right toe, and bring it behind your left leg. Place your right toe into the opening of the hat, and give it a quick upwards flick. With luck (and practice :-) you can make the hat jump up into your left hand.
Top tip: If the hat isn't quite in the right position, you can use your right foot to move it around a bit before kicking.
Bonus points: Do it without falling over about 20 times whilst filming the damn clip for your website...
00:04
1651
0
04-12-2015
[0]
Full arm roll - Roll the hat from hand to hand along outstretched arms
Hold the hat with the crown back in an outside grip in your outstretched right hand. Flick the hat so that it spins up onto the arm and rolls across the back of the neck (make sure the head is ducked forward out of the way) and down the other arm.
As the hat reaches the other wrist bend the hand up and catch it in a inside grip.
Make sure the arms are sloped so that the hat is always rolling "downhill", and practice, practice, practice - this is a difficult trick.
From the TricksWithHats archive
00:04
1982
0
04-12-2015
[0]
Full arm roll (backhand release) - Roll the hat from hand to hand along outstretched arms
Hold the hat with the crown back in an inside grip in your outstretched right hand. Flick the hat so that it spins up out of the back of your hand onto the arm and rolls across the back of the neck (make sure the head is ducked forward out of the way) and down the other arm.
As the hat reaches the other wrist bend the hand up and catch it in a inside grip.
Make sure the arms are sloped so that the hat is always rolling "downhill", and practice, practice, practice - this is a difficult trick.
From the TricksWithHats archive
00:04
2738
0
06-12-2015
[0]
Headstop Cascade - A three hat juggling pattern where each hat is thrown to the head.
This is a series of Throw To Heads, alternating hands, but immediately after you make the throw, you have to take off the hat on your head with the throwing hand.
00:00
1519
0
04-12-2015
[0]
One handed forward tumble - A one handed version of the forward tumble
First learn the forward tumble.
With practice you'll soon be able to quickly switch your grip and make it run one handed, as you can see in the video clip above.
From the TricksWithHats archive
00:03
1907
0
04-12-2015
[0]
Onehanded, Continuous Tumbles - The hat keeps tumbling, in your hand, continuously, infinitely, forever, or at least until you stop.
This trick is an extension of the Tumble - so go learn that one now.
You'll notice that after you have performed a tumble, you are holding the hat the wrong way round to perform a second tumble immediately after it. This is where the extension comes in.
During the first tumble (which is a standard tumble), the hat rotates 1.5 times. The second tumble is similar, but the hat is thrown without a change in grip, it still does 1.5 spins, which means that it is now facing the same way as when you started!
Inorder to give yourself space for the second tumble, it feels like you need to throw it a tiny bit higher or faster.
Try to make it all flow together into a continuous movement, the hat shouldn't ever pause, the hand acts more as a guide to keep it rotating in the right direction.
A nice variation on this is to tumble the hat infront of you, switching hands between tumbles.
00:08
1752
0
06-12-2015
[0]
Teenage boy & girl from Chinese acrobatic troupe performing with tridents - a traditional Chinese acrobatic form. From the Chinese National troupe.
The trident heads have loose elements which make the characteristic jangling noise.
(This skill is also known as fei-cha)
04:27
2748
3
04-09-2015
[0]
This form of staff juggling now seems to be commonly called "fei-cha".
It comes from the traditional Chinese acrobatic repertoire, and in chinese acrobatics books and videos that I have seen it is translated as "trident manipulation".
The trident has loose elements at the head, which make the jangling sound - it's often a very noisy act.
This spinner is Mohamed Badr El Nouby from the Cairo Circus School.
01:33
3249
0
02-09-2015
[2]
Quick video I decided to make of Turbofest, which took place early in January of 2010 in Quebec City. Performers include: Joe Showers, Jacob Sharpe, Duncan Philpot, Aaron DeWitt, Shane Miclon, Norbi Whitney, Doug Sayers, Eric Bates, Tristan Nielson, Yan Leblanc, Jon Roitman, "Eman" Pinard, and Alexander Kulakov.
It was a blast, and I hope you enjoy the video!
06:15
4014
2
19-01-2010
[8]
Our entry for the IJA tutorial contest: 3 count behind the head passing. It's a fun pattern we came up with in January, and the concept of using 180s with directional body throws make it a concept ripe for variation./nIf you enjoyed it, please vote for us in the IJA tutorial contest! We'd really like to make it out to the convention this year =)
03:46
3840
0
01-04-2011
[2]
I set out to make a longer video, but it was too cold and stormy ;).
00:54
2687
2
25-02-2012
[1]
Astrojax.TYM.de - Astrojax Tuning HowTo make your own UFOJAX
07:56
3436
0
11-06-2009
[0]
La compagnie Tilos vous propose son spectacle "Une paire pour deux", un duo dédié au passing avec seulement une paire de baguettes et un diabolo. Le choix d'un matériel minimal est une contrainte particulière qui mène vers des ressorts techniques originaux, et pousse le passing dans une voie encore peu explorée.
The Tilos Company presents the show "A pair for two", a duet based on diabolo passing with only one pair of sticks and one diabolo.
The choice to make a whole act with such a few number of juggling props is a really intersting constraint that leads to an original technical research and brings the diabolo passing in a way no mutch developped.
01:34
5746
0
30-12-2008
[2]
Aidan Burns' Scrambled V Variation (iB cB sA)
General information:
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass.
Walking:
After pass three, B walks on a 4-count to the left side of A. All the jugglers are relabeled
(A -> B', B -> C', C -> A')
and the new feeder A' starts counting the 3 passes, starting with B'.
The manipulation:
1. "iB": The manipulator (M) intercepts a pass from A to B.
The juggler who was B is new M, and reads from the manipulator line. The juggler who was M now is B.
2. "cB": M carries a club to B.
3. "sA": M substitutes a the pass from B to A.
How to do this pattern:
We start manipulating the pattern by substituting the pass from B to A on beat three.
You can skip the tree bit if you like.
00:46
2638
0
09-05-2016
[0]
It's part of an ongoing effort of mine to make friends.
01:54
3771
0
21-07-2010
[6]
