juggling.tv
the online depository for juggling videos
I love routining and choreography. But I also Love a free flow improv to music. Especially in a fire circle. /nThanks to Lane Lillquist for the footage/nPacific Fire Gathering 2015
3 Torch improv by Kevin Axtell
01:58
3137
0
26-09-2015
[3]
18 year old Serge Percelly with his tennis juggling at 6th Cirque de Demain 1983. Bronze medal.
3 & 5 tennis rackets
This is only about half his act. The full act starts with cap, ball & racket, and then devilstick with racket. You can find it at JTV#193.
02:45
2723
0
18-09-2015
[0]
(Re-upload: a clearer version of JTV #148)
Victor Ponce is an Argentinian circus juggler, known for boomerang hats and very fast club juggling.
I like this clip because it starts with the rarely seen ball & sticks (Japanese origin).
ball & sticks, head bounce with skipping, 3 tambourines, 3 & 5 clubs, 3 & 4 boomerang hats
05:03
3255
0
16-08-2015
[0]
I’m a 4th generation circus arts performer.I started juggling at age 12, my very first performance was in 2007,at age 14.
Improvements in the past few years:
I always consider my main goal to show something new, unique and special to the audience when I perform my act. I always try to improve, to get better in what I do. In the past few years, I improved my contemporary dancing skills, and learned a new style dance: dubstep. I also learned how to get better with the 7 balls, I learned to juggle 9 and 10 balls, and my main goal now is to be able to juggle with 11 balls as well.
Festivals attended:
- 1st Hungarian Circusfestival (2012 January-February), Hungarian State Circus.
- Les Feux De La Rampe Circus Festival (2012 october 10-15)
- Muscat Festival, (Oman, 2013 december)
-„Golden Trick of Kobzov”, Circus Kobzov (2014 June 26-29)
Awards won:
-The “Best Ground Act Award in England” (2009)
-Silver Award at Feux De la Rampe Festival in France (2012)
-Special price at the 1st Hungarian Circusfestival (2012)
07:19
4443
0
22-06-2015
[8]
Happy World Juggling Day!
3 Club spinning and manipulation
Club Motion Flow/nMusic is: Howie Day - Collide (Felix Jaehn Bootleg)
03:28
2441
0
20-06-2015
[1]
Thom Wall is a Cirque du Soleil juggler with an award-winning, full-length variety show. With a background in event planning and administration, he’s the performer who sees your event’s “big picture” and can help you achieve your vision of success./nWhen Thom walks on stage, you get high energy and smart comedy. With a habit of delighting audiences of all sizes, Thom seamlessly combines award-winning juggling, acrobatic stunts, and theatrical comedy into a variety show that will leave you smiling down to your toes. Thom’s unique background of professional circus training, mime, and modern dance makes him a unique commodity in the performing arts world. His style is so fresh that even Sharon Osbourne exclaimed: ”He’s like a scene from Dirty Dancing!” when she saw him at the Fox Theatre in Atlanta. To this day, he has no idea what she meant by that.
02:34
3655
0
16-06-2015
[1]
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "cC": The manipulator carries a club to C.
2. "sC": The manipulator substitutes a pass from A to C.
3. "iB": The manipulator (M) intercepts a the pass from A to B.
The juggler who was B is the new manipulator, and reads from the manipulator line. All the jugglers are relabeled and the new feeder starts counting the 3 passes.
It´s easier for the manipulator tells AND 1 2 3 as the cC actually happens before count 1.
also take a look at the original file: http://juggling.tv/15101
00:36
3008
1
31-05-2015
[1]
__1__2__3
A: ps ps ps ->B
B: ps ss ps ->C
C: ss ps ss -> A
M: sB iC cC -> M
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "iC": The manipulator (M) intercepts a the self from C to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator reads C's line.
2. "cA": The manipulator carries a club to A.
3. "sC": The manipulator substitutes a self from C to C. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.
scrambled
- scramble
- aidan
- manipulator
- club
- passing
- steal
- stealing
- aidanburnsproject
- toast
00:36
3165
0
30-05-2015
[0]
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "cC": The manipulator carries a club to C.
2. "sC": The manipulator substitutes a pass from A to C.
3. "iB": The manipulator (M) intercepts a the pass from A to B.
The juggler who was B is the new manipulator, and reads from the manipulator line. All the jugglers are relabeled and the new feeder starts counting the 3 passes.
It´s easier for the manipulator tells AND 1 2 3 as the cC actually happens before count 1.
We find it much easier to start the pattern on count 2 and miss the cC in the first round.
Wolfgang (blue t-shirts) moves different on iB. Just choose your favorite style.
01:26
2998
0
09-05-2015
[0]
The start of next month marks 6 years of juggling. This vid shows some of the stuff I have been working on recently, split into three parts: Toss, finger stalls, and rollover/stack tricks.
08:04
2772
0
28-04-2015
[3]
When I train with mirrors, sometimes I check myself for how does it look like, searching for mistakes (errors) etc...
So I decided to use this idea of looking into mirror as an improvisation exercise and I played more with the idea of consciously comunicating with "my other self" in the mirror as it was a living being. What are you searching for when you look in the mirror?
04:29
2106
3
27-04-2015
[1]
__1__2__3
A: ps ps ps ->B
B: ps ss ps ->C
C: ss ps ss -> A
M: sB iC cC -> M
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "sB": The manipulator substitutes a pass from A to B.
2. "iC": The manipulator (M) intercepts a the pass from A to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator reads C's line.
3. "cC": The manipulator carries a club to C. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.
scrambled
- scramble
- aidan
- manipulator
- club
- passing
- steal
- stealing
- aidanburnsproject
- toast
00:48
3177
0
12-04-2015
[0]
Unscrambled LB, by Aidee Castro, Steve Healy, Rhonda and Will Murray (Long Beach, 2014). Part of the Aidan Burns Project to juggle all 27 of his Scrambled V variations. Special thanks to Steve Gerdes.
Notation:
__1__2__3
A: ps ps ps ->B
B: ps ss ps ->C
C: ss ps ss -> A
M: iA cC sB -> M
The feeder is A and the feedees are B (on A's left) and C. The feeder counts 1 2 3. On 1 and 3, A and B exchange a pass. On 2, A and C exchange a pass. On 3, B catches the pass and walks over by A, rotating the positions.
1. "iA": The manipulator M intercepts a pass from B to A. The juggler who was A becomes the manipulator, and reads from the manipulator line. The old manipulator reads A's line.
2. "cC": The manipulator carries a club to C.
3. "sB": The manipulator substitutes a pass from A to B (catches the pass and hands in a different club). Then all the jugglers are re-labeled (but not the manipulator) and the new feeder starts counting the 3 passes.
Here, Rhonda starts manipulating at beat 3 above.
00:41
3285
0
06-04-2015
[1]
Saibca, by Christian Helbling, Rhonda and Will Murray, and Michael Rees (Someren, 2014). Part of the Aidan Burns Project to juggle all 27 of his Scrambled V variations.
Notation:
__1__2__3
A: ps ps ps ->B
B: ps ss ps ->C
C: ss ps ss -> A
M: sA iB cA -> M
The feeder is A and the feedees are B (on A's left) and C. The feeder counts 1 2 3. On 1 and 3, A and B exchange a pass. On 2, A and C exchange a pass. On 3, B catches the pass and walks over by A, rotating the positions.
1. "sA": The manipulator (M) substitutes a pass from B to A (catches the pass and replaces it with a different club).
2. "iB": The manipulator intercepts B's self. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator reads B's line.
3. "cA": The manipulator carries two clubs over and hands one to A. Then all the jugglers are re-labeled (but not the manipulator) and the new feeder starts counting the 3 passes.
00:42
3767
0
05-04-2015
[0]
This is a combination of parts of two other tricks, so it would probably help to learn them first. They are the Arm Roll and the Wipe Up
Start with the hat on your head. With the right arm, do the first part of a wipe up, just to the point where the hat comes off your head. However, instead of carrying it out to the side, push the hat back on your head so that the bottom of the brim comes into contact with your shoulder blades.
Use your upper arm to push the hat off and to the left, so that it can roll down your arm as though you were doing an Arm Roll, catching it in you hand as you do so
One variation that Mike is fond of, is to grip the front part of the crown with the crook of the elbow. Mike claims this gives him more options, and more control over where the hat goes. Try it, it may work for you too!
00:03
2060
0
15-03-2015
[0]
juggling act involving drama ball juggling and actro dance.
01:51
1895
0
24-02-2015
[1]
With Kevin Axtell, Erin Stephens, and Jeremiah Johnston.
Mountian Motion performs a dropless routine to close the Show at the Bay Area Circus Arts Festival. California/nA blend of old School and new school team Juggling performance.
08:22
4414
1
09-02-2015
[7]
Hold the hat by the brim with your left hand so that the crown of the hat is facing away from you. Take the stick in your right hand.
With a flick of your wrist, throw the hat up slightly so that it starts spinning anti-clockwise. As the hat descends, hit the brim with the stick slightly to the right of center, such that the stick curves slightly upwards and outwards. This will cause the hat to spin as it rises into the air. As it descends again, repeat the hitting action.
The idea of the basic spin is to keep the hat in the air by hitting it repeatedly with the stick in this manner. I find it helps if you look at the top portion of the inside of the hat.
Adjusting the spin rate and direction:
Hitting the hat nearer the center will give you a slower spin and more height, nearer the edge will give you a faster spin but less height. Obviously striking the left side of the brim will reverse the spin and cause the hat to go clockwise.
From the TricksWithHats archive
00:05
2914
0
24-01-2015
[1]
__1__2__3
A: ps ps ps ->B
B: ps ss ps ->C
C: ss ps ss -> A
M: iB cB sB -> M
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "iB": The manipulator (M) intercepts a the pass from A to B. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator, reads B's line.
2. "cB": The manipulator carries a club to B.
3. "sB": The manipulator substitutes a pass from A to B. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.
00:31
3154
0
06-01-2015
[0]
__1__2__3
A: ps ps ps ->B
B: ps ss ps ->C
C: ss ps ss -> A
M: sC iC cC -> M
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "sC": The manipulator substitutes a self from C to C.
2. "iC": The manipulator (M) intercepts a the pass from A to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator, reads C's line.
3. "cC": The manipulator carries a club to C. This carry is performed as an over the shoulder move. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.
00:30
2940
0
06-01-2015
[0]
__1__2__3
A: ps ps ps ->B
B: ps ss ps ->C
C: ss ps ss -> A
M: sC iC cC -> M
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "sB": The manipulator substitutes a pass from A to B.
2. "iB": The manipulator (M) intercepts a the self from B to B. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator, reads B's line.
3. "cA": The manipulator carries a club to A. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.
00:31
2655
0
06-01-2015
[0]
work in progress... I began to play and experiment with flowarts in theater,as choreographer and dancer in one person, and this is first cut from it.
04:47
1986
0
02-12-2014
[0]
__1__2__3
A: ps ps ps ->B
B: ps ss ps ->C
C: ss ps ss -> A
M: iB cB sC -> M
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "iB": The manipulator (M) intercepts a the pass from A to B. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator, reads B's line.
2. "cB": The manipulator carries a club to B.
3. "sC": The manipulator substitutes a self from C to C.
All the jugglers are re-labeled and the new feeder starts counting the 3 passes.
00:43
3030
0
14-11-2014
[0]
