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Aidan Burns' Scrambled V Variation (iB cB sA)
General information:
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass.
Walking:
After pass three, B walks on a 4-count to the left side of A. All the jugglers are relabeled
(A -> B', B -> C', C -> A')
and the new feeder A' starts counting the 3 passes, starting with B'.
The manipulation:
1. "iB": The manipulator (M) intercepts a pass from A to B.
The juggler who was B is new M, and reads from the manipulator line. The juggler who was M now is B.
2. "cB": M carries a club to B.
3. "sA": M substitutes a the pass from B to A.
How to do this pattern:
We start manipulating the pattern by substituting the pass from B to A on beat three.
You can skip the tree bit if you like.
00:46
2638
0
09-05-2016
[0]
Second time Pedro breaks his own Guinness Record with five basketballs in the Guinness World Records program in Xiamen (China) and re-enter for the third time in the famous Book of Records, this time managed to make the time 50,36 seconds with five basketballs.
03:23
2279
0
04-05-2016
[0]
Aidan Burns' Scrambled V Variation (cA sA iA)
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "cA": The manipulator carries a club to A.
2. "sA": The manipulator substitutes a pass from C to A.
3. "iA": The manipulator (M) intercepts a the pass from B to A.
The juggler who was A is the new manipulator, and reads from the manipulator line. All the jugglers are relabeled and the new feeder starts counting the 3 passes.
We start the pattern with an unmanipulated pass on beat 1 and on beat 2 with sA.
Once the pattern is running the sA happens while M stands close to the Feeder. It is still a substitution, but Feedee C really has to pass to M.
01:08
2575
0
17-04-2016
[1]
__1__2__3
A: ps ps ps ->B
B: ps ss ps ->C
C: ss ps ss -> A
M: iB cB sB -> M
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "iC": The manipulator (M) intercepts a self from C to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator, reads C's line.
2. "ca": The manipulator carries a club to A.
3. "sA": The manipulator substitutes a pass from B to A. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.
00:32
2583
0
10-04-2016
[3]
__1__2__3
A: ps ps ps ->B
B: ps ss ps ->C
C: ss ps ss -> A
M: iB cB sB -> M
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "cB": The manipulator carries a club to B.
2. "sA": The manipulator substitutes a pass from C to A.
3. "iB": The manipulator (M) intercepts a self from C to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator, reads C's line. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.
00:30
2811
0
10-04-2016
[2]
I'm studying in Japan and luckily I'm staying in the same city as Hirota. Since we can easily meet and our juggling styles fit each other we decided to make this video. He is a huge inspiration to me since I started juggling, so meeting him and recording this video was an honour to me.
Check out Hirota's channel and his instagram:
https://www.youtube.com/user/3hirota
https://www.instagram.com/3hirota
My instagram and facebook page:
https://www.facebook.com/jugglingadverse
https://www.instagram.com/lucasadverse
Music:
Koan Sound - Sly Fox
Location: Meijō Kōen, Nagoya (Japan).
Just in case you are wondering what happened in the end:
I dropped right before the last catch but he didn't notice, so after he celebrated he realized that I'd dropped it and he said "I know that feeling (when you drop right before the last catch)".
Thank you for watching!
03:41
3549
1
26-03-2016
[6]
MinuEd is a pass-pass-self base pattern, with some one beat manipulations, which makes it more difficult than standard notation patterns where every manipulation is given two beats. It is juggled in the Rhonda manipulation style http://juggling.tv/15646. First round of the pattern ever recorded (http://juggling.tv/15002) was in the iconic Rhonda styling, so it has set the default style for MinuEd
Notation is in the video!
00:58
2470
0
11-01-2016
[1]
I'm going to group videos into categories as I make them, these will normally be the fastest stuff I'm practicing at the time. Hope you enjoy :)
00:55
2052
0
21-12-2015
[3]
Full arm roll (backhand release) - Roll the hat from hand to hand along outstretched arms
Hold the hat with the crown back in an inside grip in your outstretched right hand. Flick the hat so that it spins up out of the back of your hand onto the arm and rolls across the back of the neck (make sure the head is ducked forward out of the way) and down the other arm.
As the hat reaches the other wrist bend the hand up and catch it in a inside grip.
Make sure the arms are sloped so that the hat is always rolling "downhill", and practice, practice, practice - this is a difficult trick.
From the TricksWithHats archive
00:04
2738
0
06-12-2015
[0]
Onehanded, Continuous Tumbles - The hat keeps tumbling, in your hand, continuously, infinitely, forever, or at least until you stop.
This trick is an extension of the Tumble - so go learn that one now.
You'll notice that after you have performed a tumble, you are holding the hat the wrong way round to perform a second tumble immediately after it. This is where the extension comes in.
During the first tumble (which is a standard tumble), the hat rotates 1.5 times. The second tumble is similar, but the hat is thrown without a change in grip, it still does 1.5 spins, which means that it is now facing the same way as when you started!
Inorder to give yourself space for the second tumble, it feels like you need to throw it a tiny bit higher or faster.
Try to make it all flow together into a continuous movement, the hat shouldn't ever pause, the hand acts more as a guide to keep it rotating in the right direction.
A nice variation on this is to tumble the hat infront of you, switching hands between tumbles.
00:08
1752
0
06-12-2015
[0]
Big Circles - Swing the hat round at arms length - and make it look good.
Hold the hat crown forward in an inside grip and swing it at arms length - twisting the wrist to keep the crown forward. At the top of the swing let go of the hat, untwist your wrist and recatch the hat in an inside grip, continue the swing and repeat as many times as you like.
00:07
1627
0
04-12-2015
[0]
Take a pinch grip at the front of the hat's crown and flick it up and forwards. Turn the hand round so the palm is facing forwards to catch the hat in another pinch grip at the back. After you've got a feel for this try doing it without looking at the hat.
Either place it straight back on the head or reverse the process to return it.
If you use a bowler hat make sure you take a really firm pinch to crease the top of the hat when removing it, otherwise you'll be left trying to catch the smooth round surface of the back of the hat.
Once you've mastered this one it's a trivial task to start by pinching the back of the hat and flicking it to a catch on the front.
00:06
1563
0
04-12-2015
[0]
At some point, your hat will end up on the floor and you'll want it back in your hand. You could just bend down and pick it up (boring!), use a normal foot to head (less boring, but relatively easy) or you could use this little move... (Far more studly way to kick a hat :-)
Place the hat on the floor, to your left, crown downwards and the opening tilting slightly towards you.
Point your right toe, and bring it behind your left leg. Place your right toe into the opening of the hat, and give it a quick upwards flick. With luck (and practice :-) you can make the hat jump up into your left hand.
Top tip: If the hat isn't quite in the right position, you can use your right foot to move it around a bit before kicking.
Bonus points: Do it without falling over about 20 times whilst filming the damn clip for your website...
00:04
1651
0
04-12-2015
[0]
Full arm roll - Roll the hat from hand to hand along outstretched arms
Hold the hat with the crown back in an outside grip in your outstretched right hand. Flick the hat so that it spins up onto the arm and rolls across the back of the neck (make sure the head is ducked forward out of the way) and down the other arm.
As the hat reaches the other wrist bend the hand up and catch it in a inside grip.
Make sure the arms are sloped so that the hat is always rolling "downhill", and practice, practice, practice - this is a difficult trick.
From the TricksWithHats archive
00:04
1982
0
04-12-2015
[0]
Headstop Cascade - A three hat juggling pattern where each hat is thrown to the head.
This is a series of Throw To Heads, alternating hands, but immediately after you make the throw, you have to take off the hat on your head with the throwing hand.
00:00
1519
0
04-12-2015
[0]
One handed forward tumble - A one handed version of the forward tumble
First learn the forward tumble.
With practice you'll soon be able to quickly switch your grip and make it run one handed, as you can see in the video clip above.
From the TricksWithHats archive
00:03
1908
0
04-12-2015
[0]
Bartek a.k.a Bartłomiej Milewski, Maciek a.k.a. Maciej Grzegorzewski, and Wis a.k.a. Luis Hernandez, joined forces to form the Diabolo Team Poland to perform in the Gala show of the juggling convention Żelka 2015, in Lublin Poland on the 16th of May 2015.
Performers
Maciek, starting on the right of the video -
https://www.youtube.com/channel/UCNKFJFD6TAI
Bartek, starting on the center of the video - https://www.youtube.com/user/Milekdiabolojuggler
Wis, starting on the left side of the video - https://www.youtube.com/user/Posesso
Act conception by Wis with Maciek, Bartek and Jakub Szwed's feedback. Due to the fact that we live in different cities the preparation started the day previous to the gala at 23:00.
Thanks to Fundacja Sztukmistrze for this wonderful chance, to the audience for being so sweet, to the other performers, whose skills make us very proud of sharing a stage, and in general to anybody that helped or enjoyed this gala and the convention.
And remember, EJC 2017 ---- Lublin!!!!
07:02
2708
0
08-10-2015
[2]
I have decided to make a little video, hope you like it! More is coming soon. Music: C2C-Fuya, Jetta-I´d love to change the world
03:57
3366
7
02-10-2015
[3]
Teenage boy & girl from Chinese acrobatic troupe performing with tridents - a traditional Chinese acrobatic form. From the Chinese National troupe.
The trident heads have loose elements which make the characteristic jangling noise.
(This skill is also known as fei-cha)
04:27
2748
3
04-09-2015
[0]
This form of staff juggling now seems to be commonly called "fei-cha".
It comes from the traditional Chinese acrobatic repertoire, and in chinese acrobatics books and videos that I have seen it is translated as "trident manipulation".
The trident has loose elements at the head, which make the jangling sound - it's often a very noisy act.
This spinner is Mohamed Badr El Nouby from the Cairo Circus School.
01:33
3249
0
02-09-2015
[2]
Manuel Alvarez. Spanish circus juggler.
The king of kickups!
5 & 7 rings, 3 & 4 clubs (lots of kickups), 2-4 boomerangs, 3-7 boomerang plates
... and one very vocal ringmaster!
I believe this is from Spanish TV series Pista de Estrellas, which makes it around 1990.
08:15
4759
1
15-08-2015
[1]
I went on some fantastic hikes this year up in the High Sierra Mountains of California. Naturally I brought my clubs along
I make a lot of videos to EDM and other modern music - nice to make a video to some soulful folk tunes./nMusic : Barton Hallow
Artist - Civil Wars/nJuggler
Kevin Axtell
03:34
2818
0
13-08-2015
[1]
I had been so inspired by Mees Jager's videos' that I decided to make this one.
01:39
1794
0
08-08-2015
[1]
This is the one eat-the-apple routine that actually makes me laugh (with the possible exception of Michael Davis).
It's Derek Scott (Canadian) on the Australian children's TV show "Agro's Cartoon Connection" (Agro is the puppet). From the early 1990s.
03:08
1897
0
04-08-2015
[0]
Documentary/Showreel about British "new circus" troupe Ra Ra Zoo and their show "Live at the Swan Theater". Not sure about the date as I can't make that out at the end, but it's some time in the late 1980s-early 1990s I think.
Video features what looks like a young Sean Gandini to me, which would make it pre-1992
16:24
2468
0
03-08-2015
[0]
