juggling.tv

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: iB cB sB -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "iB": The manipulator (M) intercepts a the pass from A to B. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator, reads B's line. 2. "cB": The manipulator carries a club to B. 3. "sB": The manipulator substitutes a pass from A to B. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sC iC cC -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "sC": The manipulator substitutes a self from C to C. 2. "iC": The manipulator (M) intercepts a the pass from A to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator, reads C's line. 3. "cC": The manipulator carries a club to C. This carry is performed as an over the shoulder move. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sC iC cC -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "sB": The manipulator substitutes a pass from A to B. 2. "iB": The manipulator (M) intercepts a the self from B to B. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator, reads B's line. 3. "cA": The manipulator carries a club to A. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

Trailer Création 2014 Music : Jack The Ripper - Liberation/nPetite forme d’extérieur : jardin, roseraie, place, parc… Duo dansé, jonglé, objets volants./nConception et interprétation : Isabelle Avid et Albin Hédon/nIsabelle Avid 61, rue Gérard Duvergé 47000 AGEN [email protected] cielecorpsage.com/ Téléphone : 06 31 95 15 55/nPour trouver la légèreté au propre comme au figuré, Connaitre son poids est une nécessité. Que ce soit le corps du danseur, du jongleur ou celui de l’objet, le poids seul permet de trouver l’envol : se soulever, oser la vivacité, s’offrir l’agilité, à contrario de l’immobilité. Et pourtant nous ne sommes pas oiseaux, la légèreté peut se passer ailleurs que dans le battement d’ailes. Elle peut se nicher dans les recoins de l’être, aux confins de sa danse, de son équilibre. On se sent alors plein d'une Légèreté cristalline, vibrante. Et que dire du parfum des roses ?

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: iB cB sC -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "iB": The manipulator (M) intercepts a the pass from A to B. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator, reads B's line. 2. "cB": The manipulator carries a club to B. 3. "sC": The manipulator substitutes a self from C to C. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

__1__2__3 A: ps ps ps -> M B: ps ss ps -> C C: ss ps ss -> A M: cA sC iA -> B The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "cA": The manipulator (M) carries a club to A. 2. "sC": The manipulator substitutes a pass from A to C. 3. "iA": The manipulator intercepts a pass from B to A. All the jugglers are re-labeled and the new feeder starts counting the 3 passes. Juggled in memory of Aidan Burns by Nick Aikens, Jill Carson, Christian Kästner and Greg Phillips at the Not Quite Pittsburgh Juggling Festival, 9 November 2014.

Panto, juggled by Graham, Joanne, Danny and Ed. Part of the Aidan Burns Project to juggle all 27 of his variations to the Scrambled V. Notation: __1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sC iA cB -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the carried pass and walks on four count (rotating the positions anti-clockwise). 1. "sC": The manipulator substitutes a self from C to C. This takes place while the juggler is walking on four count. 2. "iA": The manipulator (M) intercepts a the pass from C to A. The juggler who was A is the new manipulator, and reads from the manipulator line. The old manipulator, reads A's line. 3. "cB": The manipulator carries a club to B. We found it useful for the manipulator (who was the feeder for 1 and 2) to say 3 during the carry, for continuity. All the jugglers are re-labeled and the new feeder starts counting the 3 passes. Panto gets it's name from the pass from A to B on beat 1, the club is quite close to the back of the manipulators head (He's behind you!).

Alex and I do a sequence where the 3 green clubs are isolated in 4 different patterns. Start off with 7-club 3-count with the passes green. Then do 8677867 with the passes as green. Then 978 versus 972 with double passes as green. Then 551 popcorn (a2a67) versus 5 count popcorn with trelfs as green. Then back to 7 club 3-count. As they are all ground state, the first 2 switches just work, and doing: 966|7867867 for the first 7867867|978972 for the second preserves the colours. For the third, to keep the colours we did three transition throws: 978972|867|a66a7a6267 For the fourth transition, to keep the colours we did: a66a7a6267a66a7|b6266|966 I'd love to see similar ideas!

Video do nosso numero https://www.youtube.com/user/Chilosp/videos

Voilà ce qu'il se passe quand je m'ennuie dans le train...

This was supposed to be my "one year of juggling" video but since university didn't allow me to practice and record on time, some months have passed. Inspirations and ideas by: José Lima, 3Hirota, Andrew Olson, Kouta Oohashi, Ciaran Perry and Gautier Trischler. Music: RJD2 - 1976 The Roots - Do You Want More?!!!??! Props: Brazilian Hybrid Russian Balls from JrMalabaris (78mm and 135g). Location: Victoria (BC), Canada. P.S. In case you are wondering why I particularly chose those 4 languages in the end, the reason is that those are the languages I speak/study.

I've been in grad school for 18 months now and it's been a difficult trip. Certainly more time consuming than undergrad but after the first semester I managed to find time to balance life out a bit more, resume volunteer work and circus training. The tricks in this video were mostly filmed over Thanksgiving and Christmas break and almost entirely involve backcrosses with clubs mainly because that's what I'm most excited about sharing at the moment. My knees gave me some problems several years ago and it's made me too paranoid about re-injuring them to do 360 tricks on an un-waxed floor. It's not any loss to the viewer as I haven't learned any new spin tricks in a long time. This is not to say I don't give them the effort, just that I haven't improved on them for a while. There are 360 tricks I could do in high school that I can't do much better these days despite the 6 years of practice that have passed. There are no balls in the video because I couldn't find a way to film them clearly and there is not

Vídeos de los componentes del "campamento de gitanos" (a.k.a. Plaza España) durante la 36ª European Juggling Convention en Toulouse. Mil gracias a todos los que se dejaron grabar para el vídeo y a todos con los que compartí esa semana tan especial. http://www.malabaresensutinta.com https://www.facebook.com/pages/Malabares-en-su-Tinta/208224685862072 -------------------------------------------------- Musica: - Tryo: L'Hymne de nos campagnes. - Azucarillo kings: me lo dices o me lo cuentas (Where is my mind?) - Iggy Pop: The Passenger --------------------------------------------- Video of some of the people living at the "gipsy camp" (a.k.a. Plaza España) at the 36th European Juggling Convention in Toulouse. Thanks to all the people who let me tape them and to all the people i shared that wonderful week.

One of my favorite passing patterns, 4.5p 2.5p 3.5p, named "Holy Grail" by Will and Rhonda, with fourhanded siteswap 975. I passed this pattern in longer rounds with balls and rings, but I think the best club rounds was passing it with Caspar this winter in Pass Out X. I added the Prechacthis site so you can see how to start, and what the single jugglers are doing in every beat.

Will Murray, Doug Sayers, Michael Falkov, Francis Blondin juggling at a night club at WJF 8. I forgot who the club passers are at the end of the video. Unedited footage from a cell phone with no tripod.

A short preview of PasseParDuo by Rik Sietzema (Nederlands) & Albrecht Brunner (Germany). Filmed in Zircouplet-Varieté in Berlin, August 2012

conceptually, it's the same trick, except I hold the string with different hands. unwrapping stick passes inside of the string instead of outside, etc etc. With the ever classy "throw at the camera" at the end.

There is an amazing house in Long Beach - it has a juggling room with dozens of clubs and three great passers living in the house. Adding a single visitor from abroad, that's all you need for a nice Bounceabout.

Petite vidéo entre amis, sans prise de tête. Juste pour s'amuser et passer du bon temps! Bon visionnage à tous. Les "Fundamentado do circo"

This is my submission for the 2012 IJA tutorial contest. Learn how to turn your back on your partner and throw blind passes in four count.

Still needs work, but getting there. Goal was 10 passes hand to hand, this sort of qualifies (I suppose). Taken 5 months to get this far with it.

Paweł Witczak & Marcin Hałas 28 August 2011 220 passes caught

Paweł Witczak & Marcin Hałas 26 August 2011 515 passes caught

You need to be able to do forwards and reverse fishtails in both hands (or at least forwards with one and revers with the other) The rest is pretty self explanitory.

Ronja visited from Germany for a couple weeks and we passed like crazy. Here's what we worked on!