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Luke Burrage performing his 3 ball and video projection routine at the Berlin Juggling Convention 2005. He cut his head open just minutes before stepping out on stage, performed this routine with blood dripping into his eye, and passed out later that night.

Howdy folks, This is a video of me on Ringling Bros. Circus doing my 20 Cigar Box Slap Stack. I did this act for the entire 2001 tour. In Rings 2 and 3 there are 2 elephants, and in Ring 1 is me (I think I did very well of keeping my audience!). I was a studier of Friesch. and He is where I got this from. This was filmed in Knoxville Tn.on February 16th, 2001. It was filmed by my aunt Ann Hughes. She was visiting the show with my Mom and my aunt Susan. Ann passed away of cancer in 2006. Enjoy Larry

A Diabolo video of Flo and Pranay from germany filmed in Celle,Germany.

One of my favorite passing patterns, 4.5p 2.5p 3.5p, named "Holy Grail" by Will and Rhonda, with fourhanded siteswap 975. I passed this pattern in longer rounds with balls and rings, but I think the best club rounds was passing it with Caspar this winter in Pass Out X. I added the Prechacthis site so you can see how to start, and what the single jugglers are doing in every beat.

Menno en Tess

Top Head Brazil Balance SBC.

Nick Laffey (Left) adn Joel Wires (Right) juggling at Faith Baptist Bible College in Ankeny. Filmed 9-27-06

This was supposed to be my "one year of juggling" video but since university didn't allow me to practice and record on time, some months have passed. Inspirations and ideas by: José Lima, 3Hirota, Andrew Olson, Kouta Oohashi, Ciaran Perry and Gautier Trischler. Music: RJD2 - 1976 The Roots - Do You Want More?!!!??! Props: Brazilian Hybrid Russian Balls from JrMalabaris (78mm and 135g). Location: Victoria (BC), Canada. P.S. In case you are wondering why I particularly chose those 4 languages in the end, the reason is that those are the languages I speak/study.

Un essai plus ou moins improvisé à la convention de Poitiers, à partir de ma recherche de l'an passé au diabolo. Et merci à Donald pour avoir filmé !/nHere is a try with a lot of improvisation in the convention of Poitiers, based on my past year's research with diabolos. And thanks Donald for filming !/nMusic by Godspeed You Black Emperor

Alex and I do a sequence where the 3 green clubs are isolated in 4 different patterns. Start off with 7-club 3-count with the passes green. Then do 8677867 with the passes as green. Then 978 versus 972 with double passes as green. Then 551 popcorn (a2a67) versus 5 count popcorn with trelfs as green. Then back to 7 club 3-count. As they are all ground state, the first 2 switches just work, and doing: 966|7867867 for the first 7867867|978972 for the second preserves the colours. For the third, to keep the colours we did three transition throws: 978972|867|a66a7a6267 For the fourth transition, to keep the colours we did: a66a7a6267a66a7|b6266|966 I'd love to see similar ideas!

Paweł Witczak & Marcin Hałas 26 August 2011 515 passes caught

This is my submission for the 2012 IJA tutorial contest. Learn how to turn your back on your partner and throw blind passes in four count.

Vídeos de los componentes del "campamento de gitanos" (a.k.a. Plaza España) durante la 36ª European Juggling Convention en Toulouse. Mil gracias a todos los que se dejaron grabar para el vídeo y a todos con los que compartí esa semana tan especial. http://www.malabaresensutinta.com https://www.facebook.com/pages/Malabares-en-su-Tinta/208224685862072 -------------------------------------------------- Musica: - Tryo: L'Hymne de nos campagnes. - Azucarillo kings: me lo dices o me lo cuentas (Where is my mind?) - Iggy Pop: The Passenger --------------------------------------------- Video of some of the people living at the "gipsy camp" (a.k.a. Plaza España) at the 36th European Juggling Convention in Toulouse. Thanks to all the people who let me tape them and to all the people i shared that wonderful week.

Ronja visited from Germany for a couple weeks and we passed like crazy. Here's what we worked on!

__1__2__3 A: ps ps ps -> M B: ps ss ps -> C C: ss ps ss -> A M: cA sC iA -> B The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "cA": The manipulator (M) carries a club to A. 2. "sC": The manipulator substitutes a pass from A to C. 3. "iA": The manipulator intercepts a pass from B to A. All the jugglers are re-labeled and the new feeder starts counting the 3 passes. Juggled in memory of Aidan Burns by Nick Aikens, Jill Carson, Christian Kästner and Greg Phillips at the Not Quite Pittsburgh Juggling Festival, 9 November 2014.

Doreen was visiting Madrid for a couple of days, and we spent a rainy morning juggling patterns in my warehouse. Is amazing how time flies when you play this kind of funny things, and how fast you can juggle new patterns with the right partner. She is one of the best passers in the world, for sure! In addition, is amazing how we keep enjoying Préchac Transformation after all these years. We already played a lot of this patterns but there is still a universe out there... Full of new tricks to discover and customize.

Panto, juggled by Graham, Joanne, Danny and Ed. Part of the Aidan Burns Project to juggle all 27 of his variations to the Scrambled V. Notation: __1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sC iA cB -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the carried pass and walks on four count (rotating the positions anti-clockwise). 1. "sC": The manipulator substitutes a self from C to C. This takes place while the juggler is walking on four count. 2. "iA": The manipulator (M) intercepts a the pass from C to A. The juggler who was A is the new manipulator, and reads from the manipulator line. The old manipulator, reads A's line. 3. "cB": The manipulator carries a club to B. We found it useful for the manipulator (who was the feeder for 1 and 2) to say 3 during the carry, for continuity. All the jugglers are re-labeled and the new feeder starts counting the 3 passes. Panto gets it's name from the pass from A to B on beat 1, the club is quite close to the back of the manipulators head (He's behind you!).

Paweł Witczak & Marcin Hałas 28 August 2011 220 passes caught

Saibca, by Christian Helbling, Rhonda and Will Murray, and Michael Rees (Someren, 2014). Part of the Aidan Burns Project to juggle all 27 of his Scrambled V variations. Notation: __1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sA iB cA -> M The feeder is A and the feedees are B (on A's left) and C. The feeder counts 1 2 3. On 1 and 3, A and B exchange a pass. On 2, A and C exchange a pass. On 3, B catches the pass and walks over by A, rotating the positions. 1. "sA": The manipulator (M) substitutes a pass from B to A (catches the pass and replaces it with a different club). 2. "iB": The manipulator intercepts B's self. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator reads B's line. 3. "cA": The manipulator carries two clubs over and hands one to A. Then all the jugglers are re-labeled (but not the manipulator) and the new feeder starts counting the 3 passes.

Old clip, made in aprox. 2 hours of training. (sincronicos.com)

I am the very model of a modern British juggler, Experienced as thrower, catcher, balancer and spinner-er I know the lazy juggler and I quote the fights historical The loses of Jon peat to brook in order categorical. I’m very well acquainted too with matters mathematical I understand notations both the siteswap and beatmap-able About the other props you ask I’m teeming with a lot of news (hhhmmmm, lot of news, that’s a tough one) With many cheerful facts about what Kendama the Void will use. I’m very good at throwing high like DB97531 I know the algorithms and find rubix cube a lot of fun In short in matters thrower, catcher, balancer and spinner-er I am the very model of a modern British juggler. I know our mythic history Vid Warren in the renegade I saw Tom Derricks rosie cheeks those memories will never fade Out camping in the freezing cold it always seems to smell of grass I even read Jay Linn’s great post about that night with Chris passé passe.

Unscrambled LB, by Aidee Castro, Steve Healy, Rhonda and Will Murray (Long Beach, 2014). Part of the Aidan Burns Project to juggle all 27 of his Scrambled V variations. Special thanks to Steve Gerdes. Notation: __1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: iA cC sB -> M The feeder is A and the feedees are B (on A's left) and C. The feeder counts 1 2 3. On 1 and 3, A and B exchange a pass. On 2, A and C exchange a pass. On 3, B catches the pass and walks over by A, rotating the positions. 1. "iA": The manipulator M intercepts a pass from B to A. The juggler who was A becomes the manipulator, and reads from the manipulator line. The old manipulator reads A's line. 2. "cC": The manipulator carries a club to C. 3. "sB": The manipulator substitutes a pass from A to B (catches the pass and hands in a different club). Then all the jugglers are re-labeled (but not the manipulator) and the new feeder starts counting the 3 passes. Here, Rhonda starts manipulating at beat 3 above.

Trailer Création 2014 Music : Jack The Ripper - Liberation/nPetite forme d’extérieur : jardin, roseraie, place, parc… Duo dansé, jonglé, objets volants./nConception et interprétation : Isabelle Avid et Albin Hédon/nIsabelle Avid 61, rue Gérard Duvergé 47000 AGEN [email protected] cielecorpsage.com/ Téléphone : 06 31 95 15 55/nPour trouver la légèreté au propre comme au figuré, Connaitre son poids est une nécessité. Que ce soit le corps du danseur, du jongleur ou celui de l’objet, le poids seul permet de trouver l’envol : se soulever, oser la vivacité, s’offrir l’agilité, à contrario de l’immobilité. Et pourtant nous ne sommes pas oiseaux, la légèreté peut se passer ailleurs que dans le battement d’ailes. Elle peut se nicher dans les recoins de l’être, aux confins de sa danse, de son équilibre. On se sent alors plein d'une Légèreté cristalline, vibrante. Et que dire du parfum des roses ?

Voilà ce qu'il se passe quand je m'ennuie dans le train...

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sB iC cC -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "iC": The manipulator (M) intercepts a the self from C to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator reads C's line. 2. "cA": The manipulator carries a club to A. 3. "sC": The manipulator substitutes a self from C to C. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.