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Filmed a practice session to see what it looked like... then decided to make a little video of it... and got carried away with the editing... Inspiration Sam (manip), Seb and Walid (mplx).
Filmed at Circomedia.
04:28
8954
9
23-11-2010
[29]
Turbo Fest 5!
7-9 Jan 2011, l'École de Crique de Québec./nhttp://www.Turbo418.com
02:09
4716
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22-11-2010
[4]
My lil edit for the kendama uk comp. Time/space/camera/skill all limited, but still had good fun after a little dry kendama-playing patch, looking forward to next april should be back on it full swing! 15 mins to go till the deadline, hope this uploads in time...
See my uuutoobe channel for other edits (and this edit also)
01:29
3877
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21-11-2010
[1]
just filming parts of my practice at about 3 months into my contact juggling. please let me know what you think...all feedback is welcome =) /nthanks everyone,/ntalk soon,
-Dan
04:17
4257
2
19-11-2010
[4]
Turbo Fest 5
Jan 7-9 2011, l'École de Cirque de Québec, Canada.
For all other information see
http://www.Turbo418.com
03:07
6024
3
17-11-2010
[7]
this is a video of my progress in the first week of contact =)/n_________/nvideo amb el progrés que he fet la primera setmana de contact =)/n_________/nvideo con el progreso que he hecho en la primera semana de contact =)/n_________
01:37
3198
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07-11-2010
[0]
deseaba grabar la segunda parte de mi otro video, comenzamos a grabar y cuando se acabo la pila descubrimos que no teniamos cargador eso fue lo que pudimos grabar jajaja igual estubo divertido otro dia sera la segunda parte del otro /nwanted to record the second part of my other video, start recording and when we found out the battery charger that we did not that was what we recorded jajaja it was like another fun day will be the second part of another video/ndedicado como siempre a mi banda el conejo lunar, al colectivo CASA, al dfctuoso crew y a los panicos.
CAMARA: TENMA
MUSICA: APPARAT
LUGAR: TEATRO MORELOS TOLUCA MEXICO
CLAVAS: K8 POP
MALABARISTA : JORGE VILCHIS "EL BURGUER"/nCONEJO LUNAR 100 PORCIENTO MEXICANO
02:26
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03-11-2010
[14]
new video :)
10:00
3481
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02-11-2010
[4]
Siteswaps in this video: 7531, 7441, 74414, 5551, 53, 534, 71, 9151, (6x, 4)(2x, 4), (6x, 4), 91.
____
relax slow practice with the music "massive attack - teardrop"/n4, 5 balls and a 6 balls flash =)
_____/nmodificacio de dos practikes k tnia grabades jugant amb la rapidesa i la direccio del temps, amb musica relaxan de fons "massive attack - teardrop"./n4 i 5 boles i un flash de 6 al final =)/n______
modificacion de dos practicas que tenia hechas jugando con la velocidad y el tiempo del video, con musica relajante de fondo "massive attack - teardrop"/n4 y 5 pelotas y un flash de 6 al final. =)
_____/nthanks for watching! ^^
05:25
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01-11-2010
[0]
Une vidéo prise pendant mes vacances en Italie en août 2010 :) j'espère que vous apprécierez !
A vid taken during my holidays in Italia during the 2010 summer :) hope you'll enjoy it !
05:57
3676
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31-10-2010
[4]
Voici la quatrième vidéo de la série "Training", elle contient une fois de plus des figures encore plus impressionnantes que dans les vidéos précédentes ! Enjoy =)
training#4
- juggling
- juggler
- balls
- clubs
- jonglage
- jongleur
- french
- paulcriner
- siteswap
- performer
- wjf
- vovagalchenko
- thomasdietz
- anthonygatto
- jasongarfield
08:46
3675
0
16-10-2010
[4]
buy the full video from http://www.wespeden.com
Price: $10
Length: 22:47
File Size: 516MB/nManipulation Research Laboratory presents:
More Fun Than Visiting a Zoo Volume 2-
Instant Prop Stand
How many times has this ever happened to you?
#1. You forget to bring your prop stand and leave it at home!
#2. The airline loses your luggage... again!
Well look no further, because this video will show you how to execute a professional performance every time, EVEN WITHOUT A PROP STAND!
Techniques included on the video demonstrate how to impress a client and nail that gig if your prop stand goes missing. These handy tricks will justify having your props lying on the floor all over the stage. No longer will you have to worry about looking unprofessional as you bend over each time to pick stuff up for your next routine. Transform any stage into a fun working environment with over 20 minutes of sure-fire gold, only available on this download offer today!/nPerformed by:
Wesley Jefferson Peden & Jay Nathan Gilligan
01:32
6295
4
12-10-2010
[16]
Pequeño video de diabolo que grabé en Granada una parte en el mes de abril '10 y otra en septiembre '09 utilizando en la mayoria de los casos grafitis de "El niño de las pinturas" de fondo, el tema principal es de Kiril Dzajkovski
03:35
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3
10-10-2010
[12]
The stunning conclusion to the Throw Sequence method, for asynch tricks. In this case I derive some transitions from 714 back into 741. This one also shows how to do a 0, and why I like numbers and not letters to denote siteswap throws.
12:30
4069
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10-10-2010
[2]
The first of two videos using the throw sequence method to deal with a synchronous transition, getting from (6x,4)* to (8x,2)*.
Plus, a word from my sponsor.
juggling
- siteswaps
- transition
- sequence
- excited
- state
- boppo
- bruce
- tiemann
- whiteboard
08:12
3981
0
10-10-2010
[2]
This finishes the Throw Sequence method, for synch tricks.
juggling
- siteswaps
- transition
- sequence
- excited
- state
- bruce
- tiemann
- boppo's
- whiteboard
08:26
3864
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10-10-2010
[1]
Turbofest V, Quebec city, 7-9th of January.
Check out our new Twitter and Facebook:
http://twitter.com/turbo_418
http://www.facebook.com/pages/Turbo418/101944896537560
This is an edit of the juggling act from l'École de cirque de Québec's end of the year show (took place June 4-7th).
Featuring: Norbi, Arne, Jo, Marco, Nico, Emman, Jay, Max and Antoine.
Music: Hot Chip - Careful
Edited by Emman
03:29
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1
09-10-2010
[8]
If you want to only watch one, watch this one. /nHere's a method to generate siteswap transitions based on where all the balls actually land; making them all work out amounts to creating a sequence. This is my favorite method, and it produces rather easily, all the possible transitions within the context of the throws that you've decided to mess with, either out of necessity (when throws collide) or by choice (when they don't). /nIf you're trying to come up with a way to write an algorithm for producing transitions, I would suggest that this way is the best way. It's deterministic, for one, and it's comprehensive, for another. /nThis is part 1... stay tuned for the thrilling conclusion!!
tutorial
- educational
- juggling
- siteswaps
- transition
- sequence
- excited
- state
- boppo
- bruce
- tiemann
- boppo's
- whiteboard
14:35
4318
2
09-10-2010
[3]
Here's the way computers use the state-space to generate transition sequences ... and why that way doesn't work for people! Plus, there's a human-based way if you know of or can come up with a trick that has states in common with the two tricks you wish to transition between. /nPlease note that even if tricks have different levels of excitation, but nevertheless share states with one another, you can just go from the middle of one trick to the middle of the other (or wherever the tricks share the common state), without any "extra" throws.
uggling
- siteswaps
- transition
- sequence
- excited
- state
- boppo
- bruce
- tiemann
- boppo's
- whiteboard
- instructional
- video
- tutorial
- educational
12:38
4967
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09-10-2010
[2]
Here's the "Level Of Excitation" Method. To use it, you only have to know the get-in and get-out sequences for the excited-state siteswap tricks you wish to transition between. Knowing those, you can write transitions both ways.
07:33
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09-10-2010
[2]
Here's sort of the "Human Computer" way to deduce siteswap transition sequences between excited-state tricks. You map out the states, and look directly for ways to get from a state in one of the tricks to a state in the other.
14:09
5063
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09-10-2010
[1]
Here's a non-trailer trailer for an upcoming mini-series of Boppo's Whiteboard ... namely, several different methods to calculate or deduce transition sequences between excited-state siteswap tricks. If you know the get-in and get-outs, that's enough to make transitions. If you know of or can find a trick that has states in common with the tricks you wish to transition between, that is enough to make transition sequences. If you know the states themselves and can find throws to convert between them, that too is enough. Also, if you can give the total arrival schedule, if you will, of the entire sequence you wish to have transitions within, that too enables you to deduce possible transition sequences. They all work for synch, too, but the last is maybe the best method for me.
02:55
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09-10-2010
[0]
