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This is a video of my cousins and I juggling in a talent show at a summer camp we worked at. The first bit didn't get recorded so I had to put it a little video in from a different performance of the same routine. Jugglers from left to right: Andrew Dadisman (rings) Peter Guth (Me, clubs) Christopher Dadisman (balls). Enjoy!
04:33
9185
0
12-09-2007
[1]
Slight change of pace compared to part 1, focusing on tricks which involve use of the floor or other flat surfaces. There are quite a lot of variations but most tend to be pretty boring to look at, so I left a few other things out./nNext week, manipulation style stuff using on the hands!
03:46
4050
1
31-08-2013
[1]
Stack tricks influenced by cigar boxes and toss juggling. Still work in progress. Some weird waves in the video possibly due to LED lighting/framerate?/nMight make one more vid in this series with a few leftover bits, we'll see!
03:05
2403
0
15-09-2013
[3]
The Black Room 5 was the zappening place to be. Also holy grail is now so easy that you can do tricks with it!
For the six handed siteswap section the ordering is RRRLLL and Doreen starts all the patterns in that secion, then cameron, then brook.
3=zip
6=flip (though there aren't any in this video)
7=zapish 2.33p to the left
8=zapish 2.66p to the right
9=self
a=singlish pass 3.33p to the left
b=singlish pass 3.66p to the right
c=heff
f=trelf
03:20
3241
1
17-04-2018
[3]
__1__2__3
A: ps ps ps ->B
B: ps ss ps ->C
C: ss ps ss -> A
M: sB iC cC -> M
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "sB": The manipulator substitutes a pass from A to B.
2. "iC": The manipulator (M) intercepts a the pass from A to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator reads C's line.
3. "cC": The manipulator carries a club to C. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.
scrambled
- scramble
- aidan
- manipulator
- club
- passing
- steal
- stealing
- aidanburnsproject
- toast
00:48
3218
0
12-04-2015
[0]
Back Rolls - Bend forward and roll the hat across the back.
Hold the hat with the crown facing backwards in an inside grip. Bend the body forward from the waist and swing the hat across the body tucking the hand into the arm pit.Let the hat roll across the back, aiming for the opposite shoulder.
Turn the head to the right and watch the hat as it drops off the shoulder. Catch it in an inside grip with the left hand.
If the hat is difficult to catch then you are probably throwing it too hard.
Learn this trick with both hands, as it looks nice if you roll the hat back and forth across the back.
From the TricksWithHats archive
00:05
2063
0
04-12-2015
[0]
Backcross to head catch - Throw the hat behind your back, and catch it on your head.
Like most throwing moves, this is a variation on the Throw to head - so it's probably a good idea to learn that first!
Hold the hat in your right hand using an inside grip, spread your fingers out nice and wide as you would for a normal throw to the head.
Swing your arm out to the side, so that the crown of the hat is pointing downwards. Bring your arm behind your back and release the hat so that it does a nice, high, slow spin above your left shoulder.
As the hat descends, look up into it and catch it in the same way that you would for a standard throw to the head.
Top Tip: The catching part is easier if you turn your head towards your left shoulder just before the catch. Oh, and obviously learn this throw from both hands...
From the TricksWithHats archive
00:03
1836
0
04-12-2015
[0]
First do the coatpeg with your left hand. Then drop the hat straight down, and catch it with the right hand behind the back.
Place it back on the head.
00:05
1638
0
04-12-2015
[0]
This trick is similar to the coatpeg drop but instead of dropping the hat and catching it behind your back, you catch it on your elbow.
Hold the hat in your right hand, and throw it up to a coatpeg catch in your left hand. Let go of the hat, and bend your left arm at the elbow, pointing your elbow upwards. Catch the hat on your elbow. To complete the move, straighten your arm and the hat will fall. The catch is similar to that in the wipe up
00:05
1922
0
04-12-2015
[0]
Take a pinch grip at the front of the hat's crown and flick it up and forwards. Turn the hand round so the palm is facing forwards to catch the hat in another pinch grip at the back. After you've got a feel for this try doing it without looking at the hat.
Either place it straight back on the head or reverse the process to return it.
If you use a bowler hat make sure you take a really firm pinch to crease the top of the hat when removing it, otherwise you'll be left trying to catch the smooth round surface of the back of the hat.
Once you've mastered this one it's a trivial task to start by pinching the back of the hat and flicking it to a catch on the front.
00:06
1670
0
04-12-2015
[0]
Hold the hat by the brim in an outside grip with the crown facing forwards.
Swing your arm up infront of you, until your hand is about eye level, with the hat tilting slightly upwards. If you let go at the top of the swing, the hat's momentum should carry it through, and it will roll down your arm.
The movement that follows is similar to the one arm tumble. Look down your arm, tuck your chin in, and raise your arm slightly so that the hat rolls downhill and on to your head.
Once you can do that, try throwing the hat from your left hand, and using the right hand to guide it into a dynamic arm tumble.
00:03
1796
0
04-12-2015
[0]
Turn your head to the left, then reach over with the right hand to grab the front of the brim (in as close to an inside grip as you can manage). Lift the front of the hat and remove it from the head so it is upside down above the shoulder. Straighten the arm so it ends in an inside grip at arms length.
Turn your head to the right so you are looking at the hat, flex the wrist so the hat lies inside the forearm then bend the elbow and replace the hat on the head (with your hand at the back).
Repeat on the other side.
00:06
1590
0
04-12-2015
[0]
At some point, your hat will end up on the floor and you'll want it back in your hand. You could just bend down and pick it up (boring!), use a normal foot to head (less boring, but relatively easy) or you could use this little move... (Far more studly way to kick a hat :-)
Place the hat on the floor, to your left, crown downwards and the opening tilting slightly towards you.
Point your right toe, and bring it behind your left leg. Place your right toe into the opening of the hat, and give it a quick upwards flick. With luck (and practice :-) you can make the hat jump up into your left hand.
Top tip: If the hat isn't quite in the right position, you can use your right foot to move it around a bit before kicking.
Bonus points: Do it without falling over about 20 times whilst filming the damn clip for your website...
00:04
1756
0
04-12-2015
[0]
Hold the hat by the brim with your left hand so that the crown of the hat is facing away from you. Take the stick in your right hand.
With a flick of your wrist, throw the hat up slightly so that it starts spinning anti-clockwise. As the hat descends, hit the brim with the stick slightly to the right of center, such that the stick curves slightly upwards and outwards. This will cause the hat to spin as it rises into the air. As it descends again, repeat the hitting action.
The idea of the basic spin is to keep the hat in the air by hitting it repeatedly with the stick in this manner. I find it helps if you look at the top portion of the inside of the hat.
Adjusting the spin rate and direction:
Hitting the hat nearer the center will give you a slower spin and more height, nearer the edge will give you a faster spin but less height. Obviously striking the left side of the brim will reverse the spin and cause the hat to go clockwise.
From the TricksWithHats archive
00:05
2962
0
24-01-2015
[1]
Steve Rawlings showed me this trick in Birmingham and said that he used to do it in every show, but now that he's older (and a little rounder :-) he can't get it every time any more. Steve uses a china plate for this trick, but it works with hats too which is why it's here! :-)
Take the hat in your right hand, using an inside grip and hold it so that the crown of the hat is facing to the left.
Throw the hat virtically with some spin, and then do the following while the hat is in the air...
Put your right hand between your legs
Take the hand around the back of the right leg
Stand on your left leg and move the right hand & foot behind the left leg
Then, catch the descending hat in your right hand, from that position. Without falling over.
Top Tips: Practice the "tangle yourself up" bit first without the catch. Keep your eye on the hat as it decends, practice loads...
Luke Burrage managed to get this on video within 30 minutes. I've been trying for weeks and can't do it. It's pretty hard.
00:06
2523
0
15-03-2015
[0]
While walking forward grip the front of the brim (using any grip you like) with the right hand and the back of the hat with the left. Stop when your right foot is forward and lift up onto the toes. Hold the hat still above the head and pivot round so the left foot and hand are now in front of you. You can continue walking or turn back and forth on the spot.
00:07
1881
0
15-03-2015
[0]
This is a combination of parts of two other tricks, so it would probably help to learn them first. They are the Arm Roll and the Wipe Up
Start with the hat on your head. With the right arm, do the first part of a wipe up, just to the point where the hat comes off your head. However, instead of carrying it out to the side, push the hat back on your head so that the bottom of the brim comes into contact with your shoulder blades.
Use your upper arm to push the hat off and to the left, so that it can roll down your arm as though you were doing an Arm Roll, catching it in you hand as you do so
One variation that Mike is fond of, is to grip the front part of the crown with the crook of the elbow. Mike claims this gives him more options, and more control over where the hat goes. Try it, it may work for you too!
00:03
2100
0
15-03-2015
[0]
Hold the plate flat in your left hand, bring your right hand up and over the plate, cross your arms and put the heel of your right hand against the underside of the plate's rim. Bring your right hand up and turn it over so that plate ends up flat in the palm of your right hand. If you turn this round it becomes the Forward Turnover
From the TricksWithHats archive
00:03
1756
0
09-03-2015
[0]
A variation of the simple turnover:
Start with the plate flat in your right hand. Throw it slightly, and while it's airborne turn your right hand so that the heel of the hand contacts the underside of the left rim of the plate as it descends. Push upwards and over with your hand and turn it over so that the plate comes to rest back in your palm.
From the TricksWithHats archive
00:05
1794
0
09-03-2015
[0]
A variation of the simple turnover:
Start with the plate flat in your right hand. Throw it slightly, and while it's airborne turn your right hand so that the heel of the hand contacts the underside of the left rim of the plate as it descends. Push upwards and over with your hand and turn it over so that the plate comes to rest back in your palm.
From the TricksWithHats archive
00:05
1721
0
09-03-2015
[0]
Start with a normal right handed upward curl and as soon as the palm is facing forward at the top reach the left hand over and put it onto plate to the right of the right hand. Curl both hands round the front of the plate, which comes down in front of the belly, and then continue to bring the hands round to the back, pushing the plate back up to the left. Take the right hand off and do a left handed downward curl.
From the TricksWithHats archive
00:06
1714
0
09-03-2015
[0]
Throw the plate vertically and catch it under the leg (on the left side of right leg with right hand).
From the TricksWithHats archive
00:03
1579
0
09-03-2015
[0]
Aidan Burns' Scrambled V Variation (iB cB sA)
General information:
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass.
Walking:
After pass three, B walks on a 4-count to the left side of A. All the jugglers are relabeled
(A -> B', B -> C', C -> A')
and the new feeder A' starts counting the 3 passes, starting with B'.
The manipulation:
1. "iB": The manipulator (M) intercepts a pass from A to B.
The juggler who was B is new M, and reads from the manipulator line. The juggler who was M now is B.
2. "cB": M carries a club to B.
3. "sA": M substitutes a the pass from B to A.
How to do this pattern:
We start manipulating the pattern by substituting the pass from B to A on beat three.
You can skip the tree bit if you like.
00:46
2746
0
09-05-2016
[0]
Unscrambled LB, by Aidee Castro, Steve Healy, Rhonda and Will Murray (Long Beach, 2014). Part of the Aidan Burns Project to juggle all 27 of his Scrambled V variations. Special thanks to Steve Gerdes.
Notation:
__1__2__3
A: ps ps ps ->B
B: ps ss ps ->C
C: ss ps ss -> A
M: iA cC sB -> M
The feeder is A and the feedees are B (on A's left) and C. The feeder counts 1 2 3. On 1 and 3, A and B exchange a pass. On 2, A and C exchange a pass. On 3, B catches the pass and walks over by A, rotating the positions.
1. "iA": The manipulator M intercepts a pass from B to A. The juggler who was A becomes the manipulator, and reads from the manipulator line. The old manipulator reads A's line.
2. "cC": The manipulator carries a club to C.
3. "sB": The manipulator substitutes a pass from A to B (catches the pass and hands in a different club). Then all the jugglers are re-labeled (but not the manipulator) and the new feeder starts counting the 3 passes.
Here, Rhonda starts manipulating at beat 3 above.
00:41
3325
0
06-04-2015
[1]
