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The lunatics have take over.../nRoyal Kendama asked me to make a video, this is that video.
The Royal Kendama is a cheap yet high quality kendama which is durable and well balanced. Lunars and Stilts sit perfectly and with a slowly blunting spike so your birds will always stay flying. Buy a Royal today!/nBuy a Royal Kendama from:
kendama.co.uk
oddballs.co.uk
only £11.99!/nRoyal Abuse
featuring:
Dimensions (a.k.a Rob Henman)
Paul S
mreasyguy (a.k.a Adam C)
The Void
Will T
04:57
3061
0
06-04-2015
[1]
Unscrambled LB, by Aidee Castro, Steve Healy, Rhonda and Will Murray (Long Beach, 2014). Part of the Aidan Burns Project to juggle all 27 of his Scrambled V variations. Special thanks to Steve Gerdes.
Notation:
__1__2__3
A: ps ps ps ->B
B: ps ss ps ->C
C: ss ps ss -> A
M: iA cC sB -> M
The feeder is A and the feedees are B (on A's left) and C. The feeder counts 1 2 3. On 1 and 3, A and B exchange a pass. On 2, A and C exchange a pass. On 3, B catches the pass and walks over by A, rotating the positions.
1. "iA": The manipulator M intercepts a pass from B to A. The juggler who was A becomes the manipulator, and reads from the manipulator line. The old manipulator reads A's line.
2. "cC": The manipulator carries a club to C.
3. "sB": The manipulator substitutes a pass from A to B (catches the pass and hands in a different club). Then all the jugglers are re-labeled (but not the manipulator) and the new feeder starts counting the 3 passes.
Here, Rhonda starts manipulating at beat 3 above.
00:41
3279
0
06-04-2015
[1]
Probably the first video of the pattern now known as the Scrambled V - we hadn't told anyone else about this discovery yet.
This video was shot just 10m from the group photo taken at a convention in 2007 and 2008.
Filmed on a hot Saturday in August (2004-08-07, 13:52) in a gym in Hilden, Germany.
00:22
2158
0
06-04-2015
[1]
Saibca, by Christian Helbling, Rhonda and Will Murray, and Michael Rees (Someren, 2014). Part of the Aidan Burns Project to juggle all 27 of his Scrambled V variations.
Notation:
__1__2__3
A: ps ps ps ->B
B: ps ss ps ->C
C: ss ps ss -> A
M: sA iB cA -> M
The feeder is A and the feedees are B (on A's left) and C. The feeder counts 1 2 3. On 1 and 3, A and B exchange a pass. On 2, A and C exchange a pass. On 3, B catches the pass and walks over by A, rotating the positions.
1. "sA": The manipulator (M) substitutes a pass from B to A (catches the pass and replaces it with a different club).
2. "iB": The manipulator intercepts B's self. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator reads B's line.
3. "cA": The manipulator carries two clubs over and hands one to A. Then all the jugglers are re-labeled (but not the manipulator) and the new feeder starts counting the 3 passes.
00:42
3762
0
05-04-2015
[0]
Short film from trip to outdoormix festival.
More info:
www.firelovers.cz
07:02
1650
0
27-03-2015
[1]
This is surprisingly effective when done well, it can really look like your leg has dissapeared! Unfortunately it's very angle sensetive, it only really works when viewed from the front.
Incase you can't work it out from the video, here's how you do it.
Hold the hat by the brim, with the opening resting against the top of your thigh, move it down until it covers your foot and hides it from view. As you raise the hat again, bend your leg at the knee. Et voila! Your leg has vanished!
Lower the hat again, straightening your leg as you do so. Ooh look! Your leg has re-appeared!
Top tips: Only raise the hat as far as your knee, and keep your foot hidden behind your thigh. A few minutes practice infront of a mirror and you'll soon get the hang of it.
Bonus points: Make both legs dissapear, at the same time...
00:07
1715
0
15-03-2015
[1]
Hold the hat with the crown to the outside in an outside grip. Bring it across the body, and cross the arms. Flick the hat over and drop it onto the thumb of the catching hand. Uncross the arms.
The hat is now held in an outside grip in the other hand, which suggests that the tumble would be a good next move.
00:04
1565
0
15-03-2015
[0]
Steve Rawlings showed me this trick in Birmingham and said that he used to do it in every show, but now that he's older (and a little rounder :-) he can't get it every time any more. Steve uses a china plate for this trick, but it works with hats too which is why it's here! :-)
Take the hat in your right hand, using an inside grip and hold it so that the crown of the hat is facing to the left.
Throw the hat virtically with some spin, and then do the following while the hat is in the air...
Put your right hand between your legs
Take the hand around the back of the right leg
Stand on your left leg and move the right hand & foot behind the left leg
Then, catch the descending hat in your right hand, from that position. Without falling over.
Top Tips: Practice the "tangle yourself up" bit first without the catch. Keep your eye on the hat as it decends, practice loads...
Luke Burrage managed to get this on video within 30 minutes. I've been trying for weeks and can't do it. It's pretty hard.
00:06
2476
0
15-03-2015
[0]
This is a combination of parts of two other tricks, so it would probably help to learn them first. They are the Arm Roll and the Wipe Up
Start with the hat on your head. With the right arm, do the first part of a wipe up, just to the point where the hat comes off your head. However, instead of carrying it out to the side, push the hat back on your head so that the bottom of the brim comes into contact with your shoulder blades.
Use your upper arm to push the hat off and to the left, so that it can roll down your arm as though you were doing an Arm Roll, catching it in you hand as you do so
One variation that Mike is fond of, is to grip the front part of the crown with the crook of the elbow. Mike claims this gives him more options, and more control over where the hat goes. Try it, it may work for you too!
00:03
2058
0
15-03-2015
[0]
s still a succession of suggestions on object motions and body languages (same but different).
After a welcomed first opus, this international collaboration moves a good step beyond and is proud to share with you its last upgrade:
A gathering of 27 jugglers & manipulators from all over the world, graphing Time with balls, clubs, rings, diabolos, poïs, hoops and even footbags!
Enter the playground and enjoy a new round of Hi Quality videos: A 100 minutes of « Flow » clips coupled with a 40 minutes of « Tech » tutorials./nThis is a pay for download product./nPrice: 16 Euros
Length : 135 minutes
Size: 6.7 GB (includes 38 clips)
Format: .mp4 (HD)
03:58
3236
0
13-03-2015
[0]
double_twistover_to_crossed_arms.mpg
00:05
1329
0
09-03-2015
[0]
00:06
1368
0
09-03-2015
[0]
leg_balance_flipover_flipunder.mpg
00:05
1007
0
09-03-2015
[0]
one_handed_turnover.mpg
00:03
1418
0
09-03-2015
[0]
one_hand_cigar_turnover.mpg
00:03
1194
0
09-03-2015
[0]
00:03
1107
0
09-03-2015
[0]
00:04
1157
0
09-03-2015
[0]
over_shoulder_roll.mpg
00:03
1022
0
09-03-2015
[0]
00:04
1278
0
09-03-2015
[0]
00:03
955
0
09-03-2015
[0]
Hold the plate flat in your left hand, bring your right hand up and over the plate, cross your arms and put the heel of your right hand against the underside of the plate's rim. Bring your right hand up and turn it over so that plate ends up flat in the palm of your right hand. If you turn this round it becomes the Forward Turnover
From the TricksWithHats archive
00:03
1720
0
09-03-2015
[0]
A variation of the simple turnover:
Start with the plate flat in your right hand. Throw it slightly, and while it's airborne turn your right hand so that the heel of the hand contacts the underside of the left rim of the plate as it descends. Push upwards and over with your hand and turn it over so that the plate comes to rest back in your palm.
From the TricksWithHats archive
00:05
1763
0
09-03-2015
[0]
A variation of the simple turnover:
Start with the plate flat in your right hand. Throw it slightly, and while it's airborne turn your right hand so that the heel of the hand contacts the underside of the left rim of the plate as it descends. Push upwards and over with your hand and turn it over so that the plate comes to rest back in your palm.
From the TricksWithHats archive
00:05
1685
0
09-03-2015
[0]
Start with plate flat on your right hand. Swing it in a full anti-clockwise circle, twisting your wrist over at the top so the plate finishes back in its original position with your shoulder and wrist twisted to support it. Reverse the move to unkink your arm.
It's also possible to stop the plate at the top of the circle and bring it back down the way it came.
From the TricksWithHats archive
00:03
1610
0
09-03-2015
[0]
Start with a normal right handed upward curl and as soon as the palm is facing forward at the top reach the left hand over and put it onto plate to the right of the right hand. Curl both hands round the front of the plate, which comes down in front of the belly, and then continue to bring the hands round to the back, pushing the plate back up to the left. Take the right hand off and do a left handed downward curl.
From the TricksWithHats archive
00:06
1655
0
09-03-2015
[0]
