juggling.tv
the online depository for juggling videos
Cool little passing sample of PreChac generated minis reconfigured by Emil Lamprecht and Doreen Großmann.
Shot on my roof in Santanyi, Mallorca, Spain, on a Canon 5D Mark 2.
Kindly Sponsored by:
ONITSUKA TIGER (Asics)
Music Provided by:
Four Tet
01:32
9499
11
14-05-2011
[17]
i have been practicing for about 3 months, i can also juggle
00:47
2601
1
14-05-2011
[2]
en orden de aparicion gabo i io estabamos en la fiesta de orel gera traia una camara i grabo
03:37
2271
0
14-05-2011
[0]
este video es una recopilacion de las tijeras y pinzas que mas me gustan y bueno no podian quedarse fuera de la trilogia del harmony asi que entran como un videito extra no dejen de mirar la parte 1 y proximamente ahora si la parte 2 y 3
dedicado a mi novia, a los conejos, a mis amigos de torreon y a mis amigos del dfc
03:18
4880
5
13-05-2011
[8]
Please vote for Angie Mack and Beatrix Asenjo to win 10k!
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02:03
7111
0
13-05-2011
[8]
Be warned - unless you are ready to have all your preconceptions about gravity broken, DO NOT WATCH THIS VIDEO!!! I blacked out shortly after accomplishing this...
00:10
2536
0
13-05-2011
[1]
A spot of juggling on an average British week. Forgive the odd faces; any juggler will tell you that as soon as you start to juggle, you lose all motor functions in your face. True fact.
Music: Fireflies, OwlCity Something good can work, Two door cinema club Do what you want, Ok Go
09:32
3316
0
12-05-2011
[3]
What happens when two jugglers show up for juggling class only to discover their teacher is absent? Balls, clubs, and rings fly (and bounce) in this latest installment from the dynamic duo of Michael Karas and Joe DiNoto.
05:05
4027
0
12-05-2011
[0]
My act for the convention show at Lestival 2011.
04:09
5305
2
11-05-2011
[7]
This is one of three final videos that I am producing for my independent study on juggling. In case of copyright issues, I am also uploading this to juggling.tv. I hope you enjoy it.
06:32
2901
0
10-05-2011
[4]
Same as a sweep but done from behind. In this one I take it round to in front to play with an elbow pinch into 360 halo.
00:35
2387
0
10-05-2011
[0]
These are a nice varient of conveyor belts. First learn to do continuous. When the staff is falling off your last elbow, raise that elbow and bring your other elbow underneath to catch it by sort of hugging yourself. Give the staff a bit of a pop as it comes off so as to give yourself a little more time to catch it. When you've got that add the antispin by moving each point of the move to the antispin points (watch the video).
00:26
2829
0
10-05-2011
[0]
Another good move to start with, this is just a reverse elbow wrap followed by a forwards elbow wrap but in wall plane (spinning in front of you as if you were facing a wall). As with all contact, don't let go of the staf untill your hand is touching the contact point (in this case the outside of your elbow). This helps give a nice smooth contact roll. As the video shows this move can be done with hands apart (adding an extra beat) or together. It also leads nicly into pivots.
00:33
2374
0
10-05-2011
[0]
This is a good move to start off with if you are new to contact. Do a hand wrap (roll it over the back of your hand) then bring your hand in towrds you and let the staff roll over your elbow. Leave it fairly late in the hand wrap to begin bringing your hand in.
00:38
2316
0
10-05-2011
[0]
Same as a SNES but front side. I cross my arms behind my back because it puts your hands in the right place and looks flasher but you don't have to.
00:43
2218
0
10-05-2011
[0]
I learnt these trying to get the matrix. The way you lean and shift your body is very similar to how you would for a matrix but easier. I go in from a horizontal pivot because it gets the staff nicly in plane. Once the staff is on your neck lean away from the staff and let it spin around the back of your neck. Then do the same in the other direction to get it back round the front. Useing your shoulders to push the staff round can help.
00:27
2437
0
10-05-2011
[0]
This was the first move i learnt, it bruised my shoulder for about 2 weeks learning it but it gave me a good understanding of how a staff behaves on my back. Do a neck roll fairly horizontally and when you can see the staff coming round in the corner of your eye, lean to the left and bring your right shoulder up and catch under your arm with your right hand. After you've got this move try a 1/4 steve.
00:25
2602
0
10-05-2011
[0]
This is the natural progression from Conveyor Belts. They are basically a convoyor belt with a halo roll. Do a conveyor belt but instead of letting the staff roll over your second elbow, place the staff onto your shoulder staight from your hand and turn with the staff to do a halo roll and then catch it with the back of your hand to allow it to roll out. This move can be done continuously.
00:50
2020
0
10-05-2011
[0]
I like this move because people don't normally expect you to go back up the same arm you came down. As the staff is on your neck let it do an extra spin on your back and lean to your left and back so it comes round in front of you. Then lean to the right so it throat wraps back to your left shoulder and hold your arm out and swing it backwards so the staff rolls back up your arm.
00:39
2463
0
10-05-2011
[0]
Go in underarm leaning in the opposite direction to the hand the staff is in. Do a shoulder roll at a slight angle and lean into the staff. As the staff travels across your neck continue to lean into it shifting your weight across. Catch under your other arm.
00:25
2095
0
10-05-2011
[0]
This came about through me and Tim messing about with antispin contact ideas and trying to work out how to antispin a fishtail. We came up with the antispin fishtail fountain and realised it could be done without antispin (obviously). Surprisingly the antispin version is easier as it doesn't try to fly off your hand as much. Starting in reverse do 1 beat behind you then go straight into a 180 fishtail carry downwards and in a straight line. Because it's antispin you need to move pretty fast in straight lines. When you get to the other side move your hand straight up and then straight across. This needs to be done in 1 beat. Try going through this holding the staff to your hand before fishtailing it to get used to feeling the path of spin.
00:39
3865
0
09-05-2011
[0]
These are something i came up with while on a beach in Thailand so i have fond memories for this move. When passing the staff behind the back give it a little pop up to keep it spinning and to make it a bit easier to catch.
00:34
2519
0
09-05-2011
[0]
These can be done forwards and backwards. They arn't true elbow fishtails because there is only one beat of a fishtail at a time with other beats put in to get positioning. If anyone manages complete continuous elbow fishtails please let me know and i'll stick a vid up cos they are DAMN hard. The tricky bit of this move is getting your elbow across 180 fast enough to catch the fishtail but not so fast the staff flys off your elbow. (See also Reverse Elbow Fishtails)
00:34
2610
0
09-05-2011
[0]
This came about through me and Tim messing about with antispin contact ideas and trying to work out how to antispin a fishtail. We came up with the antispin fishtail fountain and realised it could be done without antispin (obviously). Surprisingly the antispin version is easier as it doesn't try to fly off your hand as much. Starting in reverse do 1 beat behind you then go straight into a 180 fishtail carry upwards. As you come out of the 180 do 1 beat of forwards fishtail behind you and pull it out into a low 180 carry back the way you came. Repeat.
00:31
2726
0
09-05-2011
[0]
