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the online depository for juggling videos
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A: ps ps ps ->B
B: ps ss ps ->C
C: ss ps ss -> A
M: sC iC cC -> M
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "sB": The manipulator substitutes a pass from A to B.
2. "iB": The manipulator (M) intercepts a the self from B to B. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator, reads B's line.
3. "cA": The manipulator carries a club to A. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.
00:31
2688
0
06-01-2015
[0]
From forward with the right hand when the staff comes in front of you start the movement off as if you were going to do a 180 fishtail, but instead of taking the staff behind you (on the other side) you do a quick 360 and tuck your hand behind your head then go back into forward fishtails (it feels a bit like you untwisting your body underneth the staff). p.s. you don't really need to hold your chest wheil doing this move
00:19
2660
0
09-05-2011
[0]
Diabolo trick: Wrapped Acceleration
For a full description and more tricks for diabolos check http://www.diabolotricks.co.uk/trick/wrapped-acceleration.html
diabolo
- tricks
- diabolos
- trick
- diabolotricks
- wraps
- starts
- acceleration
- wrapped-acceleration
00:21
2657
0
01-12-2009
[0]
A segment from my practice session today.
Drilling BtN (behind the neck) variations of things. It's still bumpy but progress is being made, slowly but surely. Posting on the web for concrit and tips from other jugglers.
I start by showing the normal move I am doing/attempting, then proceed with attempted BtN variations of that move.
05:09
2632
0
08-05-2011
[0]
A video on how do do the trapeze start with a loop diabolo.
00:26
2618
0
11-03-2011
[0]
Stalling fishtails is a nice way to go into other moves and can be the saving grace when you cock them up. If the staff starts sliding off your hand go into a stall and strike some cheesy pose (everybody loves cheese) and then just carry on. Throws are quite nice from stalls but you can also go into a halo roll or many varients thereof
00:35
2617
0
09-05-2011
[0]
Just a short video to start off this account.
Check out some more popular video's on youtube
YouTube channel : jugglerdavies
00:11
2490
0
13-02-2014
[0]
Manipulator passing pattern for four people. The base pattern is 4 count between two jugglers. Below is the Aidan notation for the pattern.
There is one round of four count and then the pattern begins
A: ps |ss |ps |ss | Becomes juggler B
B: ps |ss |cs |ss | Becomes juggler A
M: SA-B |SB-B |IA-B |CM-N | Becomes manipulator N
N: SB-A |SA-A |SB-A |SN-B | Becomes manipulator M
"ps":= pass self
"ss":= self self
"cs":= chop self
"SA-B":= Substitute from juggler A to juggler B
"IA-B":= Intercept from juggler A to juggler B (note that at an intercept instruction the juggler that was the destination of the club and the manipulator that performed the intercept change places)
"CM-N":= Carry from manipulator M to manipulator N
Starting positions in the video:
A patterned red shirt (right)
B dress (left)
M is blue shirt (middle-right)
N plain red shirt (middle left)
Oh, and the "niiaoow" noise is a cat-plane hybrid noise, performed on the carry (optional).
00:39
2440
0
11-11-2014
[0]
Another good move to start with, this is just a reverse elbow wrap followed by a forwards elbow wrap but in wall plane (spinning in front of you as if you were facing a wall). As with all contact, don't let go of the staf untill your hand is touching the contact point (in this case the outside of your elbow). This helps give a nice smooth contact roll. As the video shows this move can be done with hands apart (adding an extra beat) or together. It also leads nicly into pivots.
00:33
2398
0
10-05-2011
[0]
This is a good move to start off with if you are new to contact. Do a hand wrap (roll it over the back of your hand) then bring your hand in towrds you and let the staff roll over your elbow. Leave it fairly late in the hand wrap to begin bringing your hand in.
00:38
2342
0
10-05-2011
[0]
This is a good move to start with if you are new to contact. Turn with the staff as it goes over your back so it lands on the opposite shoulder.
00:49
2253
0
08-03-2011
[0]
This is a combination of parts of two other tricks, so it would probably help to learn them first. They are the Arm Roll and the Wipe Up
Start with the hat on your head. With the right arm, do the first part of a wipe up, just to the point where the hat comes off your head. However, instead of carrying it out to the side, push the hat back on your head so that the bottom of the brim comes into contact with your shoulder blades.
Use your upper arm to push the hat off and to the left, so that it can roll down your arm as though you were doing an Arm Roll, catching it in you hand as you do so
One variation that Mike is fond of, is to grip the front part of the crown with the crook of the elbow. Mike claims this gives him more options, and more control over where the hat goes. Try it, it may work for you too!
00:03
2100
0
15-03-2015
[0]
All the stuff I learned for Diabolo over the summer. Half way through making the video the string started to fray but I chose not to fix it so some of the tricks are a wee bit sloppy.
01:01
2070
0
26-09-2015
[0]
empezando a sentir lo que hago/ni start feeling what i am doing
01:03
2055
0
25-03-2014
[0]
Forward Twiddle - Twiddle the hat off the head and back on. It's got comedy potential too! Allegedly.
Use a palm-up fork grip on both sides the hat, and lift it off the head. Remove the ring fingers from the brim and twist the hat between the fore and middle fingers. Stop the spin by gripping the brim between the fore fingers and thumb.
Reverse the process to return the hat to the head.
You can get an easy laugh by getting the return part wrong and pretending to hit yourself in the face.
Jon Lockwood (of Mushy Pea Juggling fame, now working as with "Company of Fools") did lots of hat workshops at juggling conventions in the mid to late 1990's and started Mike and LP out on the hat road. This was often the first trick he taught...so it's Jon and this trick that ultimately led to the creation of this site. Thanks Jon!
From the TricksWithHats archive
00:07
2038
0
15-03-2015
[0]
bridge attempt with a hula hoop just started working on it wanted to share to see if anyone else had any ideas =)
00:31
1984
1
19-01-2014
[0]
Onehanded, Continuous Tumbles - The hat keeps tumbling, in your hand, continuously, infinitely, forever, or at least until you stop.
This trick is an extension of the Tumble - so go learn that one now.
You'll notice that after you have performed a tumble, you are holding the hat the wrong way round to perform a second tumble immediately after it. This is where the extension comes in.
During the first tumble (which is a standard tumble), the hat rotates 1.5 times. The second tumble is similar, but the hat is thrown without a change in grip, it still does 1.5 spins, which means that it is now facing the same way as when you started!
Inorder to give yourself space for the second tumble, it feels like you need to throw it a tiny bit higher or faster.
Try to make it all flow together into a continuous movement, the hat shouldn't ever pause, the hand acts more as a guide to keep it rotating in the right direction.
A nice variation on this is to tumble the hat infront of you, switching hands between tumbles.
00:08
1881
0
06-12-2015
[0]
Setting some UFZeroes to start off the forum record.
00:30
1822
0
22-02-2017
[0]
A variation of the simple turnover:
Start with the plate flat in your right hand. Throw it slightly, and while it's airborne turn your right hand so that the heel of the hand contacts the underside of the left rim of the plate as it descends. Push upwards and over with your hand and turn it over so that the plate comes to rest back in your palm.
From the TricksWithHats archive
00:05
1794
0
09-03-2015
[0]
We had one goal, which was to meet our friend Chris who was working in Portugal. The only problem was we didn't have any money to travel. So we hatch a plan to road trip it and busk to make money along the way - we started our journey in London and travelled through France, Spain and into Portugal.
07:34
1726
0
14-02-2018
[0]
A variation of the simple turnover:
Start with the plate flat in your right hand. Throw it slightly, and while it's airborne turn your right hand so that the heel of the hand contacts the underside of the left rim of the plate as it descends. Push upwards and over with your hand and turn it over so that the plate comes to rest back in your palm.
From the TricksWithHats archive
00:05
1721
0
09-03-2015
[0]
Start with a normal right handed upward curl and as soon as the palm is facing forward at the top reach the left hand over and put it onto plate to the right of the right hand. Curl both hands round the front of the plate, which comes down in front of the belly, and then continue to bring the hands round to the back, pushing the plate back up to the left. Take the right hand off and do a left handed downward curl.
From the TricksWithHats archive
00:06
1714
0
09-03-2015
[0]
Take a pinch grip at the front of the hat's crown and flick it up and forwards. Turn the hand round so the palm is facing forwards to catch the hat in another pinch grip at the back. After you've got a feel for this try doing it without looking at the hat.
Either place it straight back on the head or reverse the process to return it.
If you use a bowler hat make sure you take a really firm pinch to crease the top of the hat when removing it, otherwise you'll be left trying to catch the smooth round surface of the back of the hat.
Once you've mastered this one it's a trivial task to start by pinching the back of the hat and flicking it to a catch on the front.
00:06
1668
0
04-12-2015
[0]
