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__1__2__3
A: ps ps ps ->B
B: ps ss ps ->C
C: ss ps ss -> A
M: iB cB sB -> M
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "iC": The manipulator (M) intercepts a self from C to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator, reads C's line.
2. "ca": The manipulator carries a club to A.
3. "sA": The manipulator substitutes a pass from B to A. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.
00:32
2433
0
10-04-2016
[3]
__1__2__3
A: ps ps ps ->B
B: ps ss ps ->C
C: ss ps ss -> A
M: iB cB sB -> M
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "cB": The manipulator carries a club to B.
2. "sA": The manipulator substitutes a pass from C to A.
3. "iB": The manipulator (M) intercepts a self from C to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator, reads C's line. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.
00:30
2631
0
10-04-2016
[2]
I'm studying in Japan and luckily I'm staying in the same city as Hirota. Since we can easily meet and our juggling styles fit each other we decided to make this video. He is a huge inspiration to me since I started juggling, so meeting him and recording this video was an honour to me.
Check out Hirota's channel and his instagram:
https://www.youtube.com/user/3hirota
https://www.instagram.com/3hirota
My instagram and facebook page:
https://www.facebook.com/jugglingadverse
https://www.instagram.com/lucasadverse
Music:
Koan Sound - Sly Fox
Location: Meijō Kōen, Nagoya (Japan).
Just in case you are wondering what happened in the end:
I dropped right before the last catch but he didn't notice, so after he celebrated he realized that I'd dropped it and he said "I know that feeling (when you drop right before the last catch)".
Thank you for watching!
03:41
3383
1
26-03-2016
[6]
Diabolo fun in Brighton, UK.
01:12
1703
0
07-03-2016
[1]
The Juggle Dream Luxor is simply the best and brightest hoop we have ever seen. 160 super bright RGB LEDs allow over 300 stunning functions including solid white, red, green, blue, yellow, cyan and magenta; as well as far too many changing effects to even begin to mention (all with variable speed control:). All these functions are available at the tip of your fingers, using the mini remote control and up to 16 of your favourite functions can be pre-set for instant access using the custom play list.The Luxor’s mini remote is smaller than a credit card and will easily away tuck into any costume without interfering with the hooper’s movement. Alternatively, the RF Wireless remote is effective up to 50m, so can easily be operated by someone offstage. Being wireless, rather than infra-red, no direct line of sight needed to operate this remote.The Luxor is powered by 5 mains rechargeable Lithium batteries which are equally spaced around the hoop to maintain optimum balance. Charging takes up to 6 hours and the LED
01:07
2535
0
05-02-2016
[0]
Full arm roll (backhand release) - Roll the hat from hand to hand along outstretched arms
Hold the hat with the crown back in an inside grip in your outstretched right hand. Flick the hat so that it spins up out of the back of your hand onto the arm and rolls across the back of the neck (make sure the head is ducked forward out of the way) and down the other arm.
As the hat reaches the other wrist bend the hand up and catch it in a inside grip.
Make sure the arms are sloped so that the hat is always rolling "downhill", and practice, practice, practice - this is a difficult trick.
From the TricksWithHats archive
00:04
2501
0
06-12-2015
[0]
Onehanded, Continuous Tumbles - The hat keeps tumbling, in your hand, continuously, infinitely, forever, or at least until you stop.
This trick is an extension of the Tumble - so go learn that one now.
You'll notice that after you have performed a tumble, you are holding the hat the wrong way round to perform a second tumble immediately after it. This is where the extension comes in.
During the first tumble (which is a standard tumble), the hat rotates 1.5 times. The second tumble is similar, but the hat is thrown without a change in grip, it still does 1.5 spins, which means that it is now facing the same way as when you started!
Inorder to give yourself space for the second tumble, it feels like you need to throw it a tiny bit higher or faster.
Try to make it all flow together into a continuous movement, the hat shouldn't ever pause, the hand acts more as a guide to keep it rotating in the right direction.
A nice variation on this is to tumble the hat infront of you, switching hands between tumbles.
00:08
1605
0
06-12-2015
[0]
Back Rolls - Bend forward and roll the hat across the back.
Hold the hat with the crown facing backwards in an inside grip. Bend the body forward from the waist and swing the hat across the body tucking the hand into the arm pit.Let the hat roll across the back, aiming for the opposite shoulder.
Turn the head to the right and watch the hat as it drops off the shoulder. Catch it in an inside grip with the left hand.
If the hat is difficult to catch then you are probably throwing it too hard.
Learn this trick with both hands, as it looks nice if you roll the hat back and forth across the back.
From the TricksWithHats archive
00:05
1801
0
04-12-2015
[0]
Back tumble - Tumble the hat down your back and then up again.
Put the hat towards the back of your head. If you throw the head back you should be able to hit the brim with the back of the neck and have it roll down the back. As the hat rolls bend forwards from the waist to slow it down. Catch it in a inside grip with both hands.
Hold the hat still but move your hands so that they are at the front of the brim. Flick the hat so it rolls up the back. As you feel it on the shoulders put the head back to catch it.
Getting the timing right takes a lot of practice...be warned, this trick is difficult.
From the TricksWithHats archive
00:04
1657
0
04-12-2015
[0]
Backcross to head catch - Throw the hat behind your back, and catch it on your head.
Like most throwing moves, this is a variation on the Throw to head - so it's probably a good idea to learn that first!
Hold the hat in your right hand using an inside grip, spread your fingers out nice and wide as you would for a normal throw to the head.
Swing your arm out to the side, so that the crown of the hat is pointing downwards. Bring your arm behind your back and release the hat so that it does a nice, high, slow spin above your left shoulder.
As the hat descends, look up into it and catch it in the same way that you would for a standard throw to the head.
Top Tip: The catching part is easier if you turn your head towards your left shoulder just before the catch. Oh, and obviously learn this throw from both hands...
From the TricksWithHats archive
00:03
1547
0
04-12-2015
[0]
First do the coatpeg with your left hand. Then drop the hat straight down, and catch it with the right hand behind the back.
Place it back on the head.
00:05
1380
0
04-12-2015
[0]
This trick is similar to the coatpeg drop but instead of dropping the hat and catching it behind your back, you catch it on your elbow.
Hold the hat in your right hand, and throw it up to a coatpeg catch in your left hand. Let go of the hat, and bend your left arm at the elbow, pointing your elbow upwards. Catch the hat on your elbow. To complete the move, straighten your arm and the hat will fall. The catch is similar to that in the wipe up
00:05
1662
0
04-12-2015
[0]
Hold the hat by the brim in an outside grip with the crown facing forwards.
Swing your arm up infront of you, until your hand is about eye level, with the hat tilting slightly upwards. If you let go at the top of the swing, the hat's momentum should carry it through, and it will roll down your arm.
The movement that follows is similar to the one arm tumble. Look down your arm, tuck your chin in, and raise your arm slightly so that the hat rolls downhill and on to your head.
Once you can do that, try throwing the hat from your left hand, and using the right hand to guide it into a dynamic arm tumble.
00:03
1502
0
04-12-2015
[0]
Turn your head to the left, then reach over with the right hand to grab the front of the brim (in as close to an inside grip as you can manage). Lift the front of the hat and remove it from the head so it is upside down above the shoulder. Straighten the arm so it ends in an inside grip at arms length.
Turn your head to the right so you are looking at the hat, flex the wrist so the hat lies inside the forearm then bend the elbow and replace the hat on the head (with your hand at the back).
Repeat on the other side.
00:06
1317
0
04-12-2015
[0]
At some point, your hat will end up on the floor and you'll want it back in your hand. You could just bend down and pick it up (boring!), use a normal foot to head (less boring, but relatively easy) or you could use this little move... (Far more studly way to kick a hat :-)
Place the hat on the floor, to your left, crown downwards and the opening tilting slightly towards you.
Point your right toe, and bring it behind your left leg. Place your right toe into the opening of the hat, and give it a quick upwards flick. With luck (and practice :-) you can make the hat jump up into your left hand.
Top tip: If the hat isn't quite in the right position, you can use your right foot to move it around a bit before kicking.
Bonus points: Do it without falling over about 20 times whilst filming the damn clip for your website...
00:04
1508
0
04-12-2015
[0]
Full arm roll - Roll the hat from hand to hand along outstretched arms
Hold the hat with the crown back in an outside grip in your outstretched right hand. Flick the hat so that it spins up onto the arm and rolls across the back of the neck (make sure the head is ducked forward out of the way) and down the other arm.
As the hat reaches the other wrist bend the hand up and catch it in a inside grip.
Make sure the arms are sloped so that the hat is always rolling "downhill", and practice, practice, practice - this is a difficult trick.
From the TricksWithHats archive
00:04
1822
0
04-12-2015
[0]
Juggling.
With nice lighting. And a proper camera. Life is good.
Thanks to Yamamura Yuri for filming and generally being a good guy.
Thank you for watching!/nFun fact: 30 minutes before recording, I injured my knee pretty badly. What you cannot see here is me limping from left to right before and after. Video magic is magic alright.
03:54
3318
2
15-10-2015
[3]
Bartek a.k.a Bartłomiej Milewski, Maciek a.k.a. Maciej Grzegorzewski, and Wis a.k.a. Luis Hernandez, joined forces to form the Diabolo Team Poland to perform in the Gala show of the juggling convention Żelka 2015, in Lublin Poland on the 16th of May 2015.
Performers
Maciek, starting on the right of the video -
https://www.youtube.com/channel/UCNKFJFD6TAI
Bartek, starting on the center of the video - https://www.youtube.com/user/Milekdiabolojuggler
Wis, starting on the left side of the video - https://www.youtube.com/user/Posesso
Act conception by Wis with Maciek, Bartek and Jakub Szwed's feedback. Due to the fact that we live in different cities the preparation started the day previous to the gala at 23:00.
Thanks to Fundacja Sztukmistrze for this wonderful chance, to the audience for being so sweet, to the other performers, whose skills make us very proud of sharing a stage, and in general to anybody that helped or enjoyed this gala and the convention.
And remember, EJC 2017 ---- Lublin!!!!
07:02
2477
0
08-10-2015
[2]
Zdeněk Polach (now performing as Zee Deneck) at 14th Cirque de Demain in 1991. He won a sliver medal./nAs far as I am aware, this act is unique in the world. If anyone knows another performer who juggles cylinders or sticks in this way, please comment below.
02:50
3085
0
04-09-2015
[0]
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "cC": The manipulator carries a club to C.
2. "sC": The manipulator substitutes a pass from A to C.
3. "iB": The manipulator (M) intercepts a the pass from A to B.
The juggler who was B is the new manipulator, and reads from the manipulator line. All the jugglers are relabeled and the new feeder starts counting the 3 passes.
It´s easier for the manipulator tells AND 1 2 3 as the cC actually happens before count 1.
also take a look at the original file: http://juggling.tv/15101
00:36
2712
1
31-05-2015
[1]
__1__2__3
A: ps ps ps ->B
B: ps ss ps ->C
C: ss ps ss -> A
M: sB iC cC -> M
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "iC": The manipulator (M) intercepts a the self from C to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator reads C's line.
2. "cA": The manipulator carries a club to A.
3. "sC": The manipulator substitutes a self from C to C. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.
scrambled
- scramble
- aidan
- manipulator
- club
- passing
- steal
- stealing
- aidanburnsproject
- toast
00:36
2932
0
30-05-2015
[0]
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C".
The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern.
On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "iC": The manipulator (M) intercepts the pass from A to C. The juggler who was C is the new manipulator, and reads from the manipulator line.
2. "cA": The manipulator substitutes a _pass_ from A to B.
3. "sC": The manipulator substitutes a _self_ from C (to C).
The passes _from_ the feeder are not manipulated, the feeder does only normal pass throws to B, C, B
00:52
2503
0
09-05-2015
[0]
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "cC": The manipulator carries a club to C.
2. "sC": The manipulator substitutes a pass from A to C.
3. "iB": The manipulator (M) intercepts a the pass from A to B.
The juggler who was B is the new manipulator, and reads from the manipulator line. All the jugglers are relabeled and the new feeder starts counting the 3 passes.
It´s easier for the manipulator tells AND 1 2 3 as the cC actually happens before count 1.
We find it much easier to start the pattern on count 2 and miss the cC in the first round.
Wolfgang (blue t-shirts) moves different on iB. Just choose your favorite style.
01:26
2638
0
09-05-2015
[0]
__1__2__3
A: ps ps ps ->B
B: ps ss ps ->C
C: ss ps ss -> A
M: sB iC cC -> M
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "sB": The manipulator substitutes a pass from A to B.
2. "iC": The manipulator (M) intercepts a the pass from A to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator reads C's line.
3. "cC": The manipulator carries a club to C. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.
scrambled
- scramble
- aidan
- manipulator
- club
- passing
- steal
- stealing
- aidanburnsproject
- toast
00:48
2892
0
12-04-2015
[0]
Steve Rawlings showed me this trick in Birmingham and said that he used to do it in every show, but now that he's older (and a little rounder :-) he can't get it every time any more. Steve uses a china plate for this trick, but it works with hats too which is why it's here! :-)
Take the hat in your right hand, using an inside grip and hold it so that the crown of the hat is facing to the left.
Throw the hat virtically with some spin, and then do the following while the hat is in the air...
Put your right hand between your legs
Take the hand around the back of the right leg
Stand on your left leg and move the right hand & foot behind the left leg
Then, catch the descending hat in your right hand, from that position. Without falling over.
Top Tips: Practice the "tangle yourself up" bit first without the catch. Keep your eye on the hat as it decends, practice loads...
Luke Burrage managed to get this on video within 30 minutes. I've been trying for weeks and can't do it. It's pretty hard.
00:06
2211
0
15-03-2015
[0]
