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btiemann

Here's sort of the "Human Computer" way to deduce siteswap transition sequences between excited-state tricks. You map out the states, and look directly for ways to get from a state in one of the tricks to a state in the other.

14:09

4745

0

09-10-2010

[1]

ClubMotion

3 Club Sequence - all in one shot. Apps these days - made this with the push of a button on a tiny screen. Enjoy!

01:57

1911

0

15-02-2018

[0]

norbi

I strayed away from my faster, electronica-based, style of editing to pursue something more relaxed in my last few videos. For my first personal video of the year (and my first ever solo video as director and not cameraman), I wanted to revisit this style with my recent progress in videography. I am very happy with the result. Filmed with a Canon T3i (600D), edited in Final Cut Pro X. Music: "eight" by Emotional Joystick Also available at: https://vimeo.com/40689445 http://www.youtube.com/watch?v=KwVPE4wq3ds

02:20

7392

7

20-04-2012

[10]

btiemann

Here's the way computers use the state-space to generate transition sequences ... and why that way doesn't work for people! Plus, there's a human-based way if you know of or can come up with a trick that has states in common with the two tricks you wish to transition between. /nPlease note that even if tricks have different levels of excitation, but nevertheless share states with one another, you can just go from the middle of one trick to the middle of the other (or wherever the tricks share the common state), without any "extra" throws.

12:38

4651

0

09-10-2010

[2]

stringslingernm

"The Hop" - Part 4 of the Pascal's Triangle (Green Triangle Yo-Yo Sequence). This is a fun move to "hop" into a Green Triangle mount. Yo-Yos used in the demonstration by Luke Renner are the Yomega Glide from the Yomega Em Elite Metals Series. Special Thanks to Yomega in Massachusetts! Music courtesy of Stuart and the Juice Tigers. Filmed in Northwest New Mexico July 2013 edited March 2014.

01:28

2867

0

27-03-2014

[0]

2 Club Wrist Trap Sequence

GLF

A short 2 club manipulation sequence based on wrist traps. My first attempt at working with less than 3 objects.

00:10

7336

0

22-01-2008

[1]

3 ball basic sequence

edward

These are 3 ball patterns I like, cascade -> columns -> reverse cascade -> mills mess -> ?1 -> ?2 -> boston mess -> box, hoping for smooth transitions.. (Do those two in the middle have names?) music is WINTER WHITE
3 - ball

00:56

4318

2

08-07-2009

[3]

3 Ball sequence

Jon_U

Here is new sequence i have put together. Let me know what you think.

01:10

4552

6

17-11-2009

[4]

3 Club Creation

ClubMotion

3 club sequence inspired by Club Motion Juggling by Kevin Axtell Music by Phillup Le Gault To learn more get the Club Motion DVD by clicking the link below the video - Now only $10 (us)

01:40

5100

0

22-09-2009

[5]

3 club sequence

peteraberg

I just found this clip on my camera that I forgot. It's just some fast improvisation for the camera because the place and light was so nice! :)

00:43

2363

0

29-12-2015

[1]

3balls from 'Kuningasohjus'

Samuli

3ball sequence from show titled Kuningasohjus.

03:22

6544

2

16-10-2009

[5]

3x3

lordlind

3 tricks with 3 balls. I forgot to use the 53133 clip in my last video. Here is the clip plus two other sequences as little extra.

01:04

3633

1

14-01-2011

[3]

4 club Manipulation

ClubMotion

A complex sequence with 4 clubs, All in one continuous shot. Music by Eskmo

03:41

2296

0

24-04-2013

[3]

5 club sequence

peteraberg

Something I filmed long ago like everything else it feels... Some 5 club stuff with music by me.

01:27

3967

0

23-11-2009

[3]

5Balls Sequence

Chilo

5Balls sequence that I am developing

01:34

1758

0

25-07-2014

[0]

6 Short Sequences : SE5

slidon

3 and 4 ball tricks and sequences, in a park.
6 - sequences - balls - 3 - 4 - orange - park

01:16

1652

0

28-12-2015

[0]

7 club passing sequence with coloured clubs

brook_roberts

Alex and I do a sequence where the 3 green clubs are isolated in 4 different patterns. Start off with 7-club 3-count with the passes green. Then do 8677867 with the passes as green. Then 978 versus 972 with double passes as green. Then 551 popcorn (a2a67) versus 5 count popcorn with trelfs as green. Then back to 7 club 3-count. As they are all ground state, the first 2 switches just work, and doing: 966|7867867 for the first 7867867|978972 for the second preserves the colours. For the third, to keep the colours we did three transition throws: 978972|867|a66a7a6267 For the fourth transition, to keep the colours we did: a66a7a6267a66a7|b6266|966 I'd love to see similar ideas!

01:01

4722

0

10-10-2014

[2]

9 frames - yoyo

00:39

3991

0

09-12-2010

[3]

A Sequence and some Devilstricks

lund

Hey everyone, i filmed a nice sequence and some other tricks i started working on at the berlin juggling convention. Also i finally was able to film a run of double propeller with a third stick balanced on my nose.. and that with the first try that day

03:40

2406

0

20-06-2013

[2]

acro princess meets juggling beast

guidovanhout

ad-hoc live performance: tumbling sequences from Kim meet juggling material from "de kegelkunstenaar" in a theatrical way. Made for the occasion as an intermezzo in a full evening dance performance of Footloose in Eindhoven, Holland.

05:27

5777

0

07-07-2008

[3]

Alone in the dark

04:59

2405

1

10-07-2015

[1]

AmSternDamm

bink127

Short Sequences of a smokey Amsterdam Tour with Tobias Contact Juggling

01:09

5409

0

28-11-2007

[2]

Antes que todo! Avant tout!

sebastian

Lo primero que hice hoy, me levante tome las pelotas y voila!!! no es excepcional pero un buen ejercicio... intentenlo! =)

01:11

2923

0

17-06-2011

[1]

Asaf More - Creative Title

poiboi

A quick video I made at my circus school before my battery ran out, some new moves and sequences with poi and clubs. Enjoy :)

02:10

4253

1

31-10-2012

[6]

Best Method: Throw Sequence (Brute Force) Transitions

btiemann

If you want to only watch one, watch this one. /nHere's a method to generate siteswap transitions based on where all the balls actually land; making them all work out amounts to creating a sequence. This is my favorite method, and it produces rather easily, all the possible transitions within the context of the throws that you've decided to mess with, either out of necessity (when throws collide) or by choice (when they don't). /nIf you're trying to come up with a way to write an algorithm for producing transitions, I would suggest that this way is the best way. It's deterministic, for one, and it's comprehensive, for another. /nThis is part 1... stay tuned for the thrilling conclusion!!

14:35

4031

2

09-10-2010

[3]

 
 
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