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bachlaouach

Here some extract from "Songe" Played for the 10 years of Extenses'Arts association/nMusic: Lushlife Project - Wurlitzer

01:39

3032

0

07-04-2014

[4]

btiemann

Here's the way computers use the state-space to generate transition sequences ... and why that way doesn't work for people! Plus, there's a human-based way if you know of or can come up with a trick that has states in common with the two tricks you wish to transition between. /nPlease note that even if tricks have different levels of excitation, but nevertheless share states with one another, you can just go from the middle of one trick to the middle of the other (or wherever the tricks share the common state), without any "extra" throws.

12:38

4686

0

09-10-2010

[2]

2d start

nextinline42

a difficult 2d start An extract from a longer clip that went up on youtube, link is above

00:17

3198

0

23-09-2012

[2]

3x3

lordlind

3 tricks with 3 balls. I forgot to use the 53133 clip in my last video. Here is the clip plus two other sequences as little extra.

01:04

3657

1

14-01-2011

[3]

4to Festival Malabarero Teaser

htor27

Son tres años de trabajo, impulsando el arte circense en el Estado de Sonora. Espectáculos, Talleres y Olimpiadas, con invitados especiales Nacionales y Extranjeros. 1er --- Febrero 2011 2do --- Marzo 2012 3er --- Marzo 2013 Proximamente 4to Festival Malabarero Encuentro de Artes Circenses --- Marzo 2014 http://www.youtube.com/watch?v=zipFoDZ0paY&feature=youtu.be

00:49

2691

0

29-09-2013

[1]

5 Ball Extravaganza

ivanpecel

A series of 5 ball tricks I filmed one day during practice in like 2006...

01:58

3827

0

16-06-2010

[4]

5 period 3

MediaCircus

An extract from the Siteswaps DVD.

01:51

5043

0

29-11-2007

[3]

6 Ball Extravaganza

ivanpecel

Some 6 ball tricks I filmed one day at practice... and one other day on a cruise ship... in like 2006.

02:28

3555

0

16-06-2010

[5]

6 Balls solo

marcop

Extract of the performance "Nosotros" with Nata Galkina in Buenos Aires "Teatro de la Comedia" 18.03.09

02:41

4696

0

30-06-2009

[4]

A fleur de peau

sebastian

Sebastian Gonzalez, contact, convention St priest de ligure, Limoges, France. Extrait du numero

01:58

3822

1

23-09-2010

[4]

A Jugglers Review | Gballz

jugglerdavies

Let me go into more details for you, getting these balls delivered was the first issue I came across. It took a while to resolve issues I was having with the delivery company and for whatever reason I was charged an extra fee to get them released from Parcel Force to me. The balls I received are great quality and one day they will be amazing to juggle, but they are in no means “underfilled beanbags.” I do however appreciate Gregory for all the time and effort he put in to making me a logo and creating the balls and wallet, it was incredible of him to do that off his own back and I really appreciate it. I was in contact with Gregory and told him how awesome it was of him to be doing such things, I even sent him a small amount of money as a thank you for the Logo he created, he gave me his info but never acknowledged it after that. I think Gregory is awesome but I also think he is too busy at times and I believe that may impact how he reacts with customers of the business.

03:54

2595

1

12-04-2018

[2]

A Juggling Journey - Extras 1

Archive

"Cindy Marvell in Performance" DVD Extras 1.

28:37

2322

0

08-07-2015

[0]

A Juggling Journey - Extras 2

Archive

"Cindy Marvell in Performance" DVD Extras 2.

23:56

2255

0

08-07-2015

[0]

A Motion Mix

ClubMotion

Club Motion Mix Extra footage from the DVD shoot with video effects. Full length DVD now available for only $10 (US).

02:22

3428

0

03-08-2009

[5]

Albert way

albertarslanov

Dynamic balancing)--juggling an extract from the balance. encyclopedia of circus art at the heart of RUSSIA-(stunt repertoire rooms -reception of balancing poles, vertically set its bottom end at butt the other sticks (palki22 mm in diameter) which keeps the artist reception known yet Eng. skomoroham. Credit and Arslanova that he was able to This technical work to build an interesting admission žonglerskuû all rooms rich in new tricks. Podbrosiv stick upwards, the artist makes its stick in the air a few revolutions. Selecting a row, he catches a stick at butt, a second stick in his hand and keeps her in balance ballanse. Possessing jewelry precision ability to so measure Albert constantly varies tricks shooting sticks. He throws the ball with his legs, butt sock etc. sticks, throws catches and balances the stick at the forefront of the dagger handle which it holds teeth work built on connecting Alberta Arslanova with balancing elements of jugglery-which opens a new direction in the genre, and can be called

00:23

4146

0

24-04-2011

[2]

Ambled 3

Ed_Clark

Scrambled 3 with an extra club. Note that when C would do L:4x, R:2, R:4p in other ambled patterns to switch sides, here the necessity to do two right hands in a row is solved diferently L:3, R:5px, R:2. The pass is substituted, but it is a 5px which is why the manipulator has it for so long that they have to do a self and intercept before they deliver the 5px

00:55

1956

0

28-03-2018

[1]

Ambled 3V - Unicorn Charge!

wmurray

The Ambled 3V, a.k.a., Unicorn Charge! Performed by Keith Campbell, Ingrid Johnson, Will Murray, Britt Tyler, and Staffan Ulfberg in July 2017./nThe Scrambled 3V is a combination of Aidan Burns's Scrambled 3 and Scrambled V patterns to make a five-person, two-manipulator pattern. In the Ambled version, we add an extra club (12 in total) and make all the passes doubles so it takes place on a 10-club doubles feed. /nIn the Ambled 3, the manipulator (M) substitutes a pass from the right feedee (C) to the feeder (A). But *before* delivering that club to A, M must steal another club from A. (This is the same set of steals as in the Scrambled 3, but in the Scrambled 3 you don't have the time travel problem.) So M must actually juggle for one beat! /nWhen we filmed this, Ingrid and Britt were wearing matching unicorn t-shirts, so when they charged together they made unicorn horns. This is how the pattern shall forever henceforth be performed.

01:06

2428

0

01-08-2017

[1]

Anthony Gatto - Kooza

belette

Anthony Gatto in Cirque du Soleil's Kooza (extracts) (2008)

03:59

2451

0

21-06-2017

[0]

Anthony Gatto At Monte Carlo Circus festival

belette

Anthony Gatto At Monte Carlo Circus festival - extracts (2000)

03:33

2465

0

21-06-2017

[0]

Arron Sparks Solo Clubs 2007

Arron

Club extract from Arron Sparks full solo act in July 2007. Filmed in the CC at The Circus Space by Mark Morreau. Music by Jessie Rose. Copyright 2007 ***DO NOT POST THIS VIDEO TO YOUTUBE OR ANY OTHER WEB HOSTING SITE***

02:52

8789

0

30-09-2007

[6]

August 2009 Practise

Leeroy

After months of not making any videos here's another practise extract. Some of the tricks are very difficult for me :). Have fun ... Thanks to my great young friend Thomas *hug*

06:12

4104

1

28-08-2009

[1]

Baicircus

Nai

Baicircus es el nombre de la nave en la que entreno. Grabar estos videos es una buena forma de tener una motivación extra a la hora de entrenar. ¡Espero que os guste! Baicircus is the name of the place where I practice. Record these videos is a good way to have an extra motivation in training I hope you like it!

02:01

2948

1

31-10-2012

[6]

Biljauer - Two under 1 Umbrella

Archive

Extract from the film "Two Under One Umbrella" ("Двое под одним зонтом"/"Dvoe pod odnim zontom") starring Evgeni Biljauer as the juggler.

04:21

6842

2

10-08-2009

[4]

Bird Dance

TLMB

Featuring NEW CLIPS from me, Donald Grant, Kengeaa, BenPycroft24 & Cand1ez. My collected social media clips Oct'15-Mar'16, with extras & friends.

07:09

2475

0

26-03-2016

[1]

BKA Outlink 2014 Trick #20

TLMB

A rather fiendish number 20. Aeroplane > Lever Cradle > Straight Arm Half-Centrifuge & Reverse > Straight Arm Half-Centrifuge & Reverse, smoothly into 1-footed Pirouette > Grip change to Sara grip & swing to Big Cup > 6 Moshikame > [Robin Gunney's kendama + ball sequence] Deadline: April 27th, 18:00GMT Keyword: Power! (Showing the Lever Cradle in close-up to the camera is not required.) No grip changes or string adjustments are allowed (except where they are obviously part of the sequence). Smoothness of movement may be taken into consideration as a deciding factor (especially in the "extra ball" sequence).

01:30

2360

0

25-04-2014

[0]

 
 
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