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Here's sort of the "Human Computer" way to deduce siteswap transition sequences between excited-state tricks. You map out the states, and look directly for ways to get from a state in one of the tricks to a state in the other.

Here's the way computers use the state-space to generate transition sequences ... and why that way doesn't work for people! Plus, there's a human-based way if you know of or can come up with a trick that has states in common with the two tricks you wish to transition between. /nPlease note that even if tricks have different levels of excitation, but nevertheless share states with one another, you can just go from the middle of one trick to the middle of the other (or wherever the tricks share the common state), without any "extra" throws.

I was planning on making a video featuring transitions from bounce patterns into toss patterns, hence all the transition clips.

These are 3 ball patterns I like, cascade -> columns -> reverse cascade -> mills mess -> ?1 -> ?2 -> boston mess -> box, hoping for smooth transitions.. (Do those two in the middle have names?) music is WINTER WHITE

Pirouettes (180, 360's), triplex's, siteswaps and stuff...

If you want to only watch one, watch this one. /nHere's a method to generate siteswap transitions based on where all the balls actually land; making them all work out amounts to creating a sequence. This is my favorite method, and it produces rather easily, all the possible transitions within the context of the throws that you've decided to mess with, either out of necessity (when throws collide) or by choice (when they don't). /nIf you're trying to come up with a way to write an algorithm for producing transitions, I would suggest that this way is the best way. It's deterministic, for one, and it's comprehensive, for another. /nThis is part 1... stay tuned for the thrilling conclusion!!

The stunning conclusion to the Throw Sequence method, for asynch tricks. In this case I derive some transitions from 714 back into 741. This one also shows how to do a 0, and why I like numbers and not letters to denote siteswap throws.

Banking The Valley. Hold each Banking still for 2 seconds. No Earth Turns on any of the transitions please. Keyword: chunks Deadline: 21:00GMT April 20th

Here's the "Level Of Excitation" Method. To use it, you only have to know the get-in and get-out sequences for the excited-state siteswap tricks you wish to transition between. Knowing those, you can write transitions both ways.

Trying out different transitions from 3 to 4 clubs with clubholder

The trailer to my new "Advanced Instructional DVD" that takes you step by step through over 55 different four and five ball moves, variations, and transitions. Available at www.ivanpecel.com

New personal best time for the Speed Trick Challenge. It's all in the transitions :)

Christopher having some fun working on smooth transitions between numbers and patterns.

Here's a non-trailer trailer for an upcoming mini-series of Boppo's Whiteboard ... namely, several different methods to calculate or deduce transition sequences between excited-state siteswap tricks. If you know the get-in and get-outs, that's enough to make transitions. If you know of or can find a trick that has states in common with the tricks you wish to transition between, that is enough to make transition sequences. If you know the states themselves and can find throws to convert between them, that too is enough. Also, if you can give the total arrival schedule, if you will, of the entire sequence you wish to have transitions within, that too enables you to deduce possible transition sequences. They all work for synch, too, but the last is maybe the best method for me.

3 Ball juggling and devilstick video I did to the song Suit & Tie by Justin Timberlake. I played around with a few different editing things to give it an old school feel. Routine/flow starts around 55 seconds or so. Check out my smoothness until once again I have a silly drop. Check it out, leave comments, follow me here or on youtube @ GregoryGazzano…just look up the name. Oh Remember to not where a suit and tie on a hot day! LOL

Starting off with the base pattern of rotating 2 count 4 count feed, we then add the maniuplators to do 3B (Brook in blue t-shirt the B maniuplator, Steve in black t-shirt the 3 manipulator). Every 30 beats you get back to the start, and so every 30 beats the B/V manipulator (Brook at this point) switches to the other pattern and the 5 people do around of 3B/3V. We do 3B/3V/3B/3V and then try to exit the pattern. Patterned invented by Aidan - see 'How to Steal From Your Friends' at http://www.juggle.me.uk/passing/ where 3,V,B and transitions between them are described. In Aidan Notation (X, Y, Z are the jugglers): X: Ps | Ps | Ps Y: Ps | ss | Ps Z: ss | Ps | ss 3: cZZ | sZX | iXY V: cXY | sYY | iXZ B: iXY | cYY | sYX I switch by doing the second column of the pattern I've arrived in (as manipulator) and then switching to the third column of the new pattern (and everyone responds accordingly).

The first of two videos using the throw sequence method to deal with a synchronous transition, getting from (6x,4)* to (8x,2)*. Plus, a word from my sponsor.

This finishes the Throw Sequence method, for synch tricks.

Produced and edited by Mark Probst. Amazing siteswaps and bizzare passing pattern transitions. db97531...

Download full 45 minute video plus 25 minute bonus here! http://www.wespeden.com/?page_id=8 Water on Mars is a compilation sequence by jugglers Tony Pezzo, Patrik Elmnert, and Wes Peden. The video presents routines, patterns, and tricks the 3 have been developing for the past 3 years. The project was motivated by good tricks, good angles, and the possibilities for prop transitions when you have extremely competent assistants. The video contains 81 new patterns, the 5 club diamond lock, an upside down albert triplex, an 11 club pirouette, the best 5 ring routine alive, and synchronized 7 clubs. Main feature: 45 minutes Bonus Live show video: 25 minutes Price: 15€ File format .MOV File size. 2.6 GB/nSong in trailer:Riot Rhythm by Sleigh Bells