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The Ambled 3V, a.k.a., Unicorn Charge! Performed by Keith Campbell, Ingrid Johnson, Will Murray, Britt Tyler, and Staffan Ulfberg in July 2017./nThe Scrambled 3V is a combination of Aidan Burns's Scrambled 3 and Scrambled V patterns to make a five-person, two-manipulator pattern. In the Ambled version, we add an extra club (12 in total) and make all the passes doubles so it takes place on a 10-club doubles feed. /nIn the Ambled 3, the manipulator (M) substitutes a pass from the right feedee (C) to the feeder (A). But *before* delivering that club to A, M must steal another club from A. (This is the same set of steals as in the Scrambled 3, but in the Scrambled 3 you don't have the time travel problem.) So M must actually juggle for one beat! /nWhen we filmed this, Ingrid and Britt were wearing matching unicorn t-shirts, so when they charged together they made unicorn horns. This is how the pattern shall forever henceforth be performed.
01:06
2623
0
01-08-2017
[1]
Jongleur: Marian Mey
Kamera: Magnus Metzler
Musik: Pier-Marco Zavaglia (all rights reserved)
Choreografie: Günter Klingler
marian
- mey
- keulenjonglage
- jongleur
- juggler
- eimermanipulation
- bühnenshow
- trailer
- comedy
- performer
- live
- performance
01:12
2592
0
22-05-2013
[2]
__1__2__3
A: ps ps ps ->B
B: ps ss ps ->C
C: ss ps ss -> A
M: iB cB sB -> M
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "iC": The manipulator (M) intercepts a self from C to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator, reads C's line.
2. "ca": The manipulator carries a club to A.
3. "sA": The manipulator substitutes a pass from B to A. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.
00:32
2583
0
10-04-2016
[3]
__1__2__3
A: ps ps ps ->B
B: ps ss ps ->C
C: ss ps ss -> A
M: sC iC cC -> M
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "sB": The manipulator substitutes a pass from A to B.
2. "iB": The manipulator (M) intercepts a the self from B to B. The juggler who was B is the new manipulator, and reads from the manipulator line. The old manipulator, reads B's line.
3. "cA": The manipulator carries a club to A. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.
00:31
2582
0
06-01-2015
[0]
Aidan Burns' Scrambled V Variation (cA sA iA)
The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise).
1. "cA": The manipulator carries a club to A.
2. "sA": The manipulator substitutes a pass from C to A.
3. "iA": The manipulator (M) intercepts a the pass from B to A.
The juggler who was A is the new manipulator, and reads from the manipulator line. All the jugglers are relabeled and the new feeder starts counting the 3 passes.
We start the pattern with an unmanipulated pass on beat 1 and on beat 2 with sA.
Once the pattern is running the sA happens while M stands close to the Feeder. It is still a substitution, but Feedee C really has to pass to M.
01:08
2575
0
17-04-2016
[1]
From forward with the right hand when the staff comes in front of you start the movement off as if you were going to do a 180 fishtail, but instead of taking the staff behind you (on the other side) you do a quick 360 and tuck your hand behind your head then go back into forward fishtails (it feels a bit like you untwisting your body underneth the staff). p.s. you don't really need to hold your chest wheil doing this move
00:19
2553
0
09-05-2011
[0]
My reborn streetshow filmed by Anton Mackman.
02:47
2544
0
04-10-2011
[1]
An interview with Tess Cartwright from Greentop Circus in Shefield.
For more info: www.greentop.org
18:24
2540
0
13-08-2010
[0]
This was the first move i learnt, it bruised my shoulder for about 2 weeks learning it but it gave me a good understanding of how a staff behaves on my back. Do a neck roll fairly horizontally and when you can see the staff coming round in the corner of your eye, lean to the left and bring your right shoulder up and catch under your arm with your right hand. After you've got this move try a 1/4 steve.
00:25
2530
0
10-05-2011
[0]
Do a steve with an extra spin on the neck and use that extra spin to get round your throat (giving the staff a little pinch with your shoulder and chin gives it more momentum). Lean to the right to allow the staff to pivot back round to the back of your neck and finish the steve.
00:23
2503
0
19-02-2011
[0]
wow, for such a quick trick this is really hard and doesn't even look that good. sure is fun when you land it though. right wrap->left unwrap->push on string with right hand, stick in front of string, let go of sticks->catch string of the sticks in their original hands, and you're in crackers position.
00:23
2500
0
19-08-2012
[3]
Steve Rawlings showed me this trick in Birmingham and said that he used to do it in every show, but now that he's older (and a little rounder :-) he can't get it every time any more. Steve uses a china plate for this trick, but it works with hats too which is why it's here! :-)
Take the hat in your right hand, using an inside grip and hold it so that the crown of the hat is facing to the left.
Throw the hat virtically with some spin, and then do the following while the hat is in the air...
Put your right hand between your legs
Take the hand around the back of the right leg
Stand on your left leg and move the right hand & foot behind the left leg
Then, catch the descending hat in your right hand, from that position. Without falling over.
Top Tips: Practice the "tangle yourself up" bit first without the catch. Keep your eye on the hat as it decends, practice loads...
Luke Burrage managed to get this on video within 30 minutes. I've been trying for weeks and can't do it. It's pretty hard.
00:06
2403
0
15-03-2015
[0]
I like this move because people don't normally expect you to go back up the same arm you came down. As the staff is on your neck let it do an extra spin on your back and lean to your left and back so it comes round in front of you. Then lean to the right so it throat wraps back to your left shoulder and hold your arm out and swing it backwards so the staff rolls back up your arm.
00:39
2398
0
10-05-2011
[0]
On the right way!
00:18
2388
0
22-01-2014
[3]
from the past filmed back around 2004 - 2005 (uploaded in 2017 as JTV celebrates 10 years). Shoot the Moon yo-yo trick performed by Luke Renner. The second part of the footage features a yoyo on an extremely long string. The small IFO (Identified Flying Object) in the second part of the video is a yo-yo that travels to the right of the screen and then shoots straight up. Yo-yo used in the demonstration is a Yomega.
00:39
2318
0
12-07-2017
[1]
Manipulator passing pattern for four people. The base pattern is 4 count between two jugglers. Below is the Aidan notation for the pattern.
There is one round of four count and then the pattern begins
A: ps |ss |ps |ss | Becomes juggler B
B: ps |ss |cs |ss | Becomes juggler A
M: SA-B |SB-B |IA-B |CM-N | Becomes manipulator N
N: SB-A |SA-A |SB-A |SN-B | Becomes manipulator M
"ps":= pass self
"ss":= self self
"cs":= chop self
"SA-B":= Substitute from juggler A to juggler B
"IA-B":= Intercept from juggler A to juggler B (note that at an intercept instruction the juggler that was the destination of the club and the manipulator that performed the intercept change places)
"CM-N":= Carry from manipulator M to manipulator N
Starting positions in the video:
A patterned red shirt (right)
B dress (left)
M is blue shirt (middle-right)
N plain red shirt (middle left)
Oh, and the "niiaoow" noise is a cat-plane hybrid noise, performed on the carry (optional).
00:39
2304
0
11-11-2014
[0]
All four sprinkler entries within one combo on a sunnyish day at Kirkstall Abbey./nLeft-hand Frontwrap
Left-Hand Backwrap
Right-Hand Frontwrap
Right-Hand Backwrap
00:28
2258
0
19-05-2013
[0]
I was in Stockholm and I decided to record this video with some tricks./nI hope that you like it! /nJess
02:27
2225
1
30-08-2013
[3]
3 3-Count Roundabouts
All period 6, one-sided. Notation in the video.
Jill, Eva, and I taught a workshop on these three 3-count roundabout variations that we deciphered from Aidan's book and reconstructed from notes from Nicki's workshop. Filmed at Passout on Vashon Island, WA.
All takeouts on right-handed beats. For two-sided variations see the period 9 patterns PGDI (http://juggling.tv/16674) and Vashon Roundabout (http://juggling.tv/16675)
01:36
2206
0
15-10-2017
[0]
Same as a SNES but front side. I cross my arms behind my back because it puts your hands in the right place and looks flasher but you don't have to.
00:43
2142
0
10-05-2011
[0]
Diabolo practise down by the sea in Brighton, England.
01:45
2139
0
06-07-2016
[0]
This video includes bases in the branch of juggling and their variations, constant training and research of objects of manipulation have created this result.
** NO COPYRIGHT INFRINGEMENT INTENDED.
03:25
2134
0
28-04-2016
[2]
Scrambled 3 with an extra club. Note that when C would do L:4x, R:2, R:4p in other ambled patterns to switch sides, here the necessity to do two right hands in a row is solved diferently L:3, R:5px, R:2. The pass is substituted, but it is a 5px which is why the manipulator has it for so long that they have to do a self and intercept before they deliver the 5px
00:55
2117
0
28-03-2018
[1]
Not the most outstanding trick you'll see this year, but I like to share the tricks I enjoy performing. The kendama is a Krom Deluxe courtesy of http://www.kendama.cz/
Music is copyright 2013 by Brian Korteling and is used by permission.
00:30
2078
0
25-02-2014
[0]
This is a combination of parts of two other tricks, so it would probably help to learn them first. They are the Arm Roll and the Wipe Up
Start with the hat on your head. With the right arm, do the first part of a wipe up, just to the point where the hat comes off your head. However, instead of carrying it out to the side, push the hat back on your head so that the bottom of the brim comes into contact with your shoulder blades.
Use your upper arm to push the hat off and to the left, so that it can roll down your arm as though you were doing an Arm Roll, catching it in you hand as you do so
One variation that Mike is fond of, is to grip the front part of the crown with the crook of the elbow. Mike claims this gives him more options, and more control over where the hat goes. Try it, it may work for you too!
00:03
1989
0
15-03-2015
[0]
