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staff juggling tricks

talivan

this video includes techniques of great difficulty of juggling staff, you can appreciate the accuracy when throwing, making contacts, numerology, no beats, mill mess, 4 staff and ball spinning 5551, 5 staff, I hope you like it and inspire you to follow creating in juggling, enjoy it as much as I enjoy doing juggling.

04:18

643

0

08-06-2019

[1]

I'm 21 (#1)

IljaSmyslov

I'm 21 (#1) You may already know me as a bounce juggler... I decided to film 21 different (mostly juggling related) videos. If you want to see all upcoming 21 clips follow me on Instagram or YouTube ;) Hope you enjoy it :) Feel free to like and share it ;)/nInspired by: Stanislav Vysotskyi: "Good Better Best "I'm 30" " David Cain: "36 types of juggling" Daniel Simu: "60 silly tricks"/nMusic by: ProleteR "Can't stop me" https://m.soundcloud.com/proleter-beatmaker https://proleter.bandcamp.com/

02:04

7336

1

08-08-2018

[2]

Xylem Friday

TLMB

Seeing how alive the weather-beaten kendama is.

02:22

1068

2

06-07-2018

[1]

I am the very model of a Modern British Juggler

MatthewTiffany

I am the very model of a modern British juggler, Experienced as thrower, catcher, balancer and spinner-er I know the lazy juggler and I quote the fights historical The loses of Jon peat to brook in order categorical. I’m very well acquainted too with matters mathematical I understand notations both the siteswap and beatmap-able About the other props you ask I’m teeming with a lot of news (hhhmmmm, lot of news, that’s a tough one) With many cheerful facts about what Kendama the Void will use. I’m very good at throwing high like DB97531 I know the algorithms and find rubix cube a lot of fun In short in matters thrower, catcher, balancer and spinner-er I am the very model of a modern British juggler. I know our mythic history Vid Warren in the renegade I saw Tom Derricks rosie cheeks those memories will never fade Out camping in the freezing cold it always seems to smell of grass I even read Jay Linn’s great post about that night with Chris passé passe.

04:32

1917

2

18-04-2018

[2]

Dropabout

Ed_Clark

corrected notation Interception line changes are immediate - the juggler and manipulator swap line before the next beat. So, even if it is a 1 beat intercept with a line instruction after it, the juggler and manipulator change lines first, then read the line change instruction afterwards. They follow both instructions, but the order is important. So if a manipulator line showed at the end of the line: iB => M the juggler who was B up until the last instruction becomes M because of the intercept (iB) and then they stay M because of the (=> M).

00:53

2551

0

08-01-2018

[3]

3 3-count Roundabouts

ponk

3 3-Count Roundabouts All period 6, one-sided. Notation in the video. Jill, Eva, and I taught a workshop on these three 3-count roundabout variations that we deciphered from Aidan's book and reconstructed from notes from Nicki's workshop. Filmed at Passout on Vashon Island, WA. All takeouts on right-handed beats. For two-sided variations see the period 9 patterns PGDI (http://juggling.tv/16674) and Vashon Roundabout (http://juggling.tv/16675)

01:36

1222

0

15-10-2017

[0]

MiniEd

ponk

MiniEd - 4-person, extra-walking, period-6 MinuEd variation /nBase pattern: rotating PPSPPS feed, with C walking on 2 and A walking on 4; walking always on a left hand, clockwise Manipulation sequence as MinuEd without the zip-zip part; crossing pop helps to avoid clubbed heads/nNotation in video, underlining indicates walking/nPro tip: Pass to A on beat 1 should be aimed at M's head/n(This took us quite a few festivals to put together. Thanks for everybody who had the patience with me at MadFest, Mondo, Charlottesville, IJA, EJC, and Passout.)

00:45

1276

1

13-10-2017

[1]

Zap Patterns by Cameron and Katie at TADAH

KStruthers

33 Patterns. All with at least one zap. All period seven. All with five clubs. All with two people. All for 6 rounds (where one round is 14 beats of the pattern globally). For our more playful video also filmed at TADAH see: https://youtu.be/-rO6grGcPis The list is written in four handed global siteswap notation: 1. 6662555 2. 6672752 3. 6672625 4. 7572662 5. 6752555 6. 7562555 7. 7572752 8. 7772255 9. 6782525 10. 7582562 11. 7862255 12. 8572625 13. 8672255 14. 6682562 15. 6852662 16. 6862652 17. 8552555 18. 8582525 19. 8852255 20. 8882225 21. 6692552 22. 6962527 23. 9962225 24. 9952262 25. 6929522 26. 9629252 27. 9269225 28. 7592552 29. 9527822 30. 9552662 31. 7a72252 32. a862225 33. 8279225 Special thanks: James for creating his siteswap spreadsheet from which we got our list. TADAH for having us to stay for long enough to learn and film so many patterns. Music: From the album 'Money, Blood and Light [LCL14]' by Plurabelle; licensed under a Attribution-NonCommercial-ShareAlike 3.0 International License.

12:34

1123

1

10-10-2017

[1]

Ambled 3V - Unicorn Charge!

wmurray

The Ambled 3V, a.k.a., Unicorn Charge! Performed by Keith Campbell, Ingrid Johnson, Will Murray, Britt Tyler, and Staffan Ulfberg in July 2017./nThe Scrambled 3V is a combination of Aidan Burns's Scrambled 3 and Scrambled V patterns to make a five-person, two-manipulator pattern. In the Ambled version, we add an extra club (12 in total) and make all the passes doubles so it takes place on a 10-club doubles feed. /nIn the Ambled 3, the manipulator (M) substitutes a pass from the right feedee (C) to the feeder (A). But *before* delivering that club to A, M must steal another club from A. (This is the same set of steals as in the Scrambled 3, but in the Scrambled 3 you don't have the time travel problem.) So M must actually juggle for one beat! /nWhen we filmed this, Ingrid and Britt were wearing matching unicorn t-shirts, so when they charged together they made unicorn horns. This is how the pattern shall forever henceforth be performed.

01:06

1428

0

01-08-2017

[1]

3 juggling staff my creation

talivan

Includes techniques and contact variations such as: 333 contact chest roll, 333 contact arms chest roll, addicted roll, mill mess back contact, 531 chin contact, Other techniques like: no beat and ball spinning, no beat activated, rubenstein, thomahauck, backcross and ball contact, 522 and ball contact, 531 and ball contact.
juggling - staff - contact - staff - ball - on - the - head - 3 - staff -

04:09

1422

0

15-06-2017

[2]

Poi Juggling - Sync No-Beat Cascade with Willow Solow

whatispoissible

Here is my entry for IJA's Video tutorial contest 2016./nThe "Sync No-Beat Cascade" is a foundational pattern for poi jugglers, as it is stable and varies well into other patterns./nEnjoy!

03:06

1245

0

30-11-2016

[0]

Unscrambled B 'round tree

westwolf

Aidan Burns' Scrambled V Variation (iB cB sA) General information: The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. Walking: After pass three, B walks on a 4-count to the left side of A. All the jugglers are relabeled (A -> B', B -> C', C -> A') and the new feeder A' starts counting the 3 passes, starting with B'. The manipulation: 1. "iB": The manipulator (M) intercepts a pass from A to B. The juggler who was B is new M, and reads from the manipulator line. The juggler who was M now is B. 2. "cB": M carries a club to B. 3. "sA": M substitutes a the pass from B to A. How to do this pattern: We start manipulating the pattern by substituting the pass from B to A on beat three. You can skip the tree bit if you like.

00:46

1513

0

09-05-2016

[0]

Pirouettes go crazy

westwolf

Aidan Burns' Scrambled V Variation (cA sA iA) The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "cA": The manipulator carries a club to A. 2. "sA": The manipulator substitutes a pass from C to A. 3. "iA": The manipulator (M) intercepts a the pass from B to A. The juggler who was A is the new manipulator, and reads from the manipulator line. All the jugglers are relabeled and the new feeder starts counting the 3 passes. We start the pattern with an unmanipulated pass on beat 1 and on beat 2 with sA. Once the pattern is running the sA happens while M stands close to the Feeder. It is still a substitution, but Feedee C really has to pass to M.

01:08

1666

0

17-04-2016

[1]

iC cA sA: Aidan Burns' Scrambled V Variation (iC cA sA)

Ed_Clark

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: iB cB sB -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "iC": The manipulator (M) intercepts a self from C to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator, reads C's line. 2. "ca": The manipulator carries a club to A. 3. "sA": The manipulator substitutes a pass from B to A. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

00:32

1734

0

10-04-2016

[3]

cB sA iC: Aidan Burns' Scrambled V Variation (cB sA iC)

Ed_Clark

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: iB cB sB -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "cB": The manipulator carries a club to B. 2. "sA": The manipulator substitutes a pass from C to A. 3. "iB": The manipulator (M) intercepts a self from C to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator, reads C's line. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

00:30

1788

0

10-04-2016

[2]

MinuEd (with notation)

Ed_Clark

MinuEd is a pass-pass-self base pattern, with some one beat manipulations, which makes it more difficult than standard notation patterns where every manipulation is given two beats. It is juggled in the Rhonda manipulation style http://juggling.tv/15646. First round of the pattern ever recorded (http://juggling.tv/15002) was in the iconic Rhonda styling, so it has set the default style for MinuEd Notation is in the video!

00:58

1642

0

11-01-2016

[1]

Turquoise

ClubMotion

Turquoise! /nCreative session with K8 prophecy clubs./nMusic is DJ sweet - Erhu Beat

02:02

1212

0

21-08-2015

[1]

clubcontact # 10

CreativeClubChaos

clubcontact in some canyon close to TADAH 1beat legroll - footlock - kickup - fishtail

00:17

1395

0

02-07-2015

[1]

clubcontact # 9

CreativeClubChaos

clubcontact @ TADAH Shoulder+ 1beat Armroll and some halo-armroll variations

00:54

1251

0

01-07-2015

[0]

chopped zig zag: Aidan Burns' Scrambled V Variation (cC sC iB)

westwolf

The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "cC": The manipulator carries a club to C. 2. "sC": The manipulator substitutes a pass from A to C. 3. "iB": The manipulator (M) intercepts a the pass from A to B. The juggler who was B is the new manipulator, and reads from the manipulator line. All the jugglers are relabeled and the new feeder starts counting the 3 passes. It´s easier for the manipulator tells AND 1 2 3 as the cC actually happens before count 1. also take a look at the original file: http://juggling.tv/15101

00:36

1801

1

31-05-2015

[1]

Andy's Headache: Aidan Burns' Scrambled V Variation (iC cA sC)

Ed_Clark

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sB iC cC -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "iC": The manipulator (M) intercepts a the self from C to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator reads C's line. 2. "cA": The manipulator carries a club to A. 3. "sC": The manipulator substitutes a self from C to C. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

00:36

2086

0

30-05-2015

[0]

Wankel engine: Aidan Burns' Scrambled V Variation (iC cA sC)

westwolf

The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "iC": The manipulator (M) intercepts the pass from A to C. The juggler who was C is the new manipulator, and reads from the manipulator line. 2. "cA": The manipulator substitutes a _pass_ from A to B. 3. "sC": The manipulator substitutes a _self_ from C (to C). The passes _from_ the feeder are not manipulated, the feeder does only normal pass throws to B, C, B

00:52

1616

0

09-05-2015

[0]

zig zag: Aidan Burns' Scrambled V Variation (cC sC iB)

westwolf

The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "cC": The manipulator carries a club to C. 2. "sC": The manipulator substitutes a pass from A to C. 3. "iB": The manipulator (M) intercepts a the pass from A to B. The juggler who was B is the new manipulator, and reads from the manipulator line. All the jugglers are relabeled and the new feeder starts counting the 3 passes. It´s easier for the manipulator tells AND 1 2 3 as the cC actually happens before count 1. We find it much easier to start the pattern on count 2 and miss the cC in the first round. Wolfgang (blue t-shirts) moves different on iB. Just choose your favorite style.

01:26

1699

0

09-05-2015

[0]

Toast: Aidan Burns' Scrambled V Variation (sB iC cC)

Ed_Clark

__1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: sB iC cC -> M The feeder is "A", the juggler to the feeder's left is "B" and the juggler to the feeder's right is "C". The feeder counts "1 2 3" to make it easier to keep track of where we are in the pattern. On beats 1 and 3, A (the feeder) and B exchange a pass. On beat 2, A and C exchange a pass. On 3, juggler B catches the pass and walks on four count (rotating the positions anti-clockwise). 1. "sB": The manipulator substitutes a pass from A to B. 2. "iC": The manipulator (M) intercepts a the pass from A to C. The juggler who was C is the new manipulator, and reads from the manipulator line. The old manipulator reads C's line. 3. "cC": The manipulator carries a club to C. All the jugglers are re-labeled and the new feeder starts counting the 3 passes.

00:48

2053

0

12-04-2015

[0]

Unscrambled LB: Aidan Burns' Scrambled V Variation (iA cC sB)

wmurray

Unscrambled LB, by Aidee Castro, Steve Healy, Rhonda and Will Murray (Long Beach, 2014). Part of the Aidan Burns Project to juggle all 27 of his Scrambled V variations. Special thanks to Steve Gerdes. Notation: __1__2__3 A: ps ps ps ->B B: ps ss ps ->C C: ss ps ss -> A M: iA cC sB -> M The feeder is A and the feedees are B (on A's left) and C. The feeder counts 1 2 3. On 1 and 3, A and B exchange a pass. On 2, A and C exchange a pass. On 3, B catches the pass and walks over by A, rotating the positions. 1. "iA": The manipulator M intercepts a pass from B to A. The juggler who was A becomes the manipulator, and reads from the manipulator line. The old manipulator reads A's line. 2. "cC": The manipulator carries a club to C. 3. "sB": The manipulator substitutes a pass from A to B (catches the pass and hands in a different club). Then all the jugglers are re-labeled (but not the manipulator) and the new feeder starts counting the 3 passes. Here, Rhonda starts manipulating at beat 3 above.

00:41

2100

0

06-04-2015

[1]

 
 
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